{"id":77624,"date":"2019-01-28T22:33:09","date_gmt":"2019-01-28T21:33:09","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=77624"},"modified":"2019-01-28T22:33:09","modified_gmt":"2019-01-28T21:33:09","slug":"exposition-richard-corben-a-angouleme","status":"publish","type":"post","link":"https:\/\/www.comicbox.com\/index.php\/news\/exposition-richard-corben-a-angouleme\/","title":{"rendered":"Exposition Richard Corben \u00e0 Angoul\u00eame"},"content":{"rendered":"

Le week-end dernier, l’exposition consacr\u00e9e \u00e0 Richard Corben au Mus\u00e9e d’Angoul\u00eame \u00e9tait assur\u00e9ment l’un des \u00e9v\u00e9nements du Festival International de la Bande-Dessin\u00e9e. D\u00e8s jeudi, il fallait en effet ruser, jouer avec les horaires et parfois, in\u00e9vitablement, faire avec des m\u00e8tres et des m\u00e8tres de file d’attente pour admirer les originaux de ce ma\u00eetre de la bande-dessin\u00e9e am\u00e9ricaine ou, plus justement, de ce ma\u00eetre am\u00e9ricain de la BD mondiale. De Den \u00e0 Edgar Allan Poe en passant par des dinosaures, des loups-garous mais aussi des amazones \u00e9piques, toutes les facettes d’une carri\u00e8re longue d’un demi-si\u00e8cle \u00e9taient r\u00e9unies…<\/p>\n

\"Exposition<\/p>\n

En 2018, l’annonce de la victoire de Richard Corben, nomm\u00e9 pr\u00e9sident du festival par ses pairs, n’avait pas fait que des heureux. Certains m\u00e9dias s’\u00e9taient engouffr\u00e9s dans la br\u00e8che pour surfer sur le buzz. Allons, c\u00e9l\u00e9brer Corben, ce peintre de la chair, des muscles hypertrophi\u00e9s et des poitrines d\u00e9fiant la gravit\u00e9 ? Dans l’\u00e8re post-Weinstein ? \u00c9tait-ce bien s\u00e9rieux ? Le raccourci \u00e9tait aussi artificiel qu’alambiqu\u00e9. Un objet culturel se prend en effet dans son contexte, pour ainsi dire dans son \u00ab\u00a0jus\u00a0\u00bb. Rapprocher Corben de Weinstein parce que l’un a repr\u00e9sent\u00e9 des colosses et des amazones \u00e0 ses d\u00e9buts tandis que l’autre \u00e9tait un adepte naus\u00e9abond du droit de cuissage, c’est un grand \u00e9cart qui ne peut surgir que d’une m\u00e9connaissance, d’un gouffre d’ignorance. Le public ne s’y est pas tromp\u00e9 et, d\u00e8s le jeudi (notoirement le jour le plus calme du festival), l’endroit ne d\u00e9semplissait pas, envahi aussi bien par des amateurs \u00e9clair\u00e9s de l’artiste que par quelques n\u00e9ophytes curieux, ces derniers n’\u00e9tant pas au bout de leurs surprises.<\/p>\n

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Un objet n’est rien sans son contexte, disions-nous, et comme pour mieux nous le rappeler, le Mus\u00e9e de la ville d’Angoul\u00eame \u00e9tait ce week-end un \u00e9crin id\u00e9al. Il fallait en effet d’abord traverser un rez-de-chauss\u00e9e habit\u00e9 par des squelettes d’animaux pr\u00e9historiques avant de grimper trois \u00e9tages et d\u00e9couvrir un autre monstre sacr\u00e9. Richard Corben du d\u00e9but \u00e0 nos jours, pour ainsi dire… Muscles gonfl\u00e9s et poitrines opulentes ? Oui, mais pas seulement. Et quand bien m\u00eame, les premi\u00e8res pi\u00e8ces de l’exposition d\u00e9montraient tr\u00e8s bien, \u00e0 travers quelques tableaux de jeunesse, que Corben en mati\u00e8re d’\u00e9tude de nu n’a rien \u00e0 envier aux grands ma\u00eetres de la peinture. Corben explose r\u00e9ellement dans les ann\u00e9es 70, en pleine lib\u00e9ration sexuelle, quand il s’agit de tourner le dos \u00e0 des d\u00e9cennies de conservatisme, \u00e0 revendiquer l’usage de son corps. Il cr\u00e9\u00e9 des hommes forts mais aussi certaines femmes rebondies qui n’en sont pas moins de fortes t\u00eates. Tout est exag\u00e9r\u00e9, un peu comme si Michel-Ange s’\u00e9tait amus\u00e9 \u00e0 repr\u00e9senter Conan le Barbare. Mais cette fascination pour le corps, elle ne s’exerce pas sans un certain recul, une forme de caricature qui fait que l’artiste repr\u00e9sente, dans le m\u00eame temps la difformit\u00e9 et bien souvent des \u00eatres hallucin\u00e9s, m\u00e9dus\u00e9s, qui auraient leur place dans le film Freaks.<\/p>\n

\"Exposition<\/p>\n

Exposer Corben au mus\u00e9e, cela faisait donc doublement sens ce week-end. Car si la nudit\u00e9 est omnipr\u00e9sente dans les premi\u00e8res d\u00e9cennies du travail du ma\u00eetre, ce n’est pas pour autant que cela veut dire pornographie, comme certains voulaient l’y r\u00e9duire l’an dernier. Pour preuve un public familial, certes parfois un peu sid\u00e9r\u00e9 de d\u00e9couvrir cet univers si particulier. Mais pas forc\u00e9ment choqu\u00e9. Pour preuve quelques enfants venus avec leurs parents, enfants qui accordaient bien peu d’attention aux monstres et aux pinups mais s’amusaient du c\u00f4t\u00e9 grotesque de la chose. Bien pens\u00e9e, l’exposition expliquait en effet de fa\u00e7on tr\u00e8s p\u00e9dagogique le parcours de l’auteur. Elle m\u00e9nageait aussi une dimension multim\u00e9dia avec les films d’animations que Corben a pu cr\u00e9er \u00e0 ses d\u00e9buts ou encore des statuettes model\u00e9es par l’artiste pour lui servir de mod\u00e8le. Les gamins adoraient cet aspect ludique. Et puis r\u00e9duire Corben \u00ab\u00a0aux muscles et aux t\u00e9tons\u00a0\u00bb serait amputer toute une partie de sa carri\u00e8re de ma\u00eetre du fantastique, avec des visions de vampires, de gorilles ail\u00e9s, de dinosaures ou encore ses adaptations des romans de Poe. A l’inverse, ceux qui connaissaient, qui avaient pu passer de longue date ses pages, ses couvertures (ses \u00ab\u00a0ann\u00e9es M\u00e9tal\u00a0\u00bb comme expliqu\u00e9 dans l’exposition) avaient de quoi rester bouche-b\u00e9e devant des originaux devenus depuis des d\u00e9cennies des classiques.<\/p>\n

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Corben fait des cases, des illustrations, des univers. Il est assur\u00e9ment particulier et peux surprendre qui le d\u00e9couvre d’un seul coup. Il r\u00e9siste aux tentatives de l’enfermer dans des (trop) petites d\u00e9finitions. Le mus\u00e9e d’Angoul\u00eame nous proposait ni plus ni moins que tout l’imaginaire de Corben, sa maitrise de la chair, il est vrai, mais aussi son travail sur la noirceur, sur les d\u00e9tails. Sa connaissance des masses mais parfois, aussi, quand il le faut, de l’immobilisme. L’exposition Corben \u00e0 Angoul\u00eame \u00e9tait un \u00e9v\u00e9nement rare, un rendez-vous hors-norme. A l’image de l’exposition consacr\u00e9e \u00e0 Bill Watterson il y a quelques ann\u00e9es, elle permettait, malgr\u00e9 l’absence de l’artiste, d’\u00e9voquer toutes les facettes de son art, de sa vision. Rien d’un raccourci grossier mais au contraire un inventaire d’une richesse folle. Une vraie r\u00e9ussite qui faisait que si Corben \u00e9tait absent par le corps (quel paradoxe), son esprit \u00e9tait bien l\u00e0 !<\/p>\n[Xavier Fournier]\n","protected":false},"excerpt":{"rendered":"

Le week-end dernier, l’exposition consacr\u00e9e \u00e0 Richard Corben au Mus\u00e9e d’Angoul\u00eame \u00e9tait assur\u00e9ment l’un des \u00e9v\u00e9nements du Festival International 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