{"id":74365,"date":"2018-07-14T10:00:39","date_gmt":"2018-07-14T08:00:39","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=74365"},"modified":"2018-07-11T20:02:31","modified_gmt":"2018-07-11T18:02:31","slug":"avant-premiere-vo-review-the-league-of-extraordinary-gentlemen-the-tempest-1","status":"publish","type":"post","link":"https:\/\/www.comicbox.com\/index.php\/articles\/avant-premiere-vo-review-the-league-of-extraordinary-gentlemen-the-tempest-1\/","title":{"rendered":"Avant-Premi\u00e8re VO: Review The League Of Extraordinary Gentlemen: The Tempest #1"},"content":{"rendered":"

Alan Moore et Kevin O’Neill d\u00e9butent cette semaine leurs adieux \u00e0 la The League Of Extraordinary Gentlemen: The Tempest, pr\u00e8s de deux d\u00e9cennies apr\u00e8s avoir lanc\u00e9 le concept. C’est aussi, \u00e0 les entendre, leur derni\u00e8re grande BD. De quoi donner doublement envie de regarder de plus pr\u00e8s cet ultime opus, qui alterne entre diff\u00e9rentes chronologies et cultive le souvenir de h\u00e9ros britanniques m\u00e9connus dans nos contr\u00e9es. Apr\u00e8s \u00ab\u00a0Who watches the Watchmen\u00a0\u00bb, on pourrait sous-titrer cette minis\u00e9rie \u00ab\u00a0Qui se souvient des Seven Stars\u00a0\u00bb. Intriguant.<\/p>\n

\"TheThe League Of Extraordinary Gentlemen: The Tempest #1 [Top Shelf]<\/strong>
\nSc\u00e9nario d’Alan Moore
\nDessins de Kevin O’Neill
\nParution aux USA le mercredi 11 juillet 2018<\/strong><\/p>\n

La League Of Extraordinary Gentlemen a ceci de particulier que c’est une fuite en avant dans la chronologie de l’imaginaire occidental (en g\u00e9n\u00e9ral) et anglais (en particulier). Le concept m\u00eame est fait de contraste, \u00e0 l’image de cette couverture qui tout en faisant allusion \u00e0 Shakespeare, n’en plonge pas moins dans le d\u00e9corum des Classics Illustrated. Soit une revendication de la culture anglaise tout en restant \u00e9trangement fascin\u00e9 par ce que les am\u00e9ricains ont pu en faire. D’ailleurs, dans l’\u00e9dito de la page de garde, Moore et O’Neill reconnaissent, sous le vernis de la com\u00e9die, rester \u00e9trangement p\u00e9tris par l’influence de Stan Lee et Jack Kirby, quand bien m\u00eame ils veulent jouer avec ce v\u00e9ritable coffre au tr\u00e9sor qu’est la BD anglaise. Cette derni\u00e8re est construite depuis le d\u00e9but du XX\u00b0 si\u00e8cle autour de nombreux titres hebdomadaires, parfois disparus. Autant dire que des \u00ab\u00a0h\u00e9ros oubli\u00e9s\u00a0\u00bb, il s’en cache treize \u00e0 la douzaine dans ces pages jaunies et qu’Alan Moore s’en donne \u00e0 c\u0153ur joie pour creuser l\u00e0-dedans et adapter les choses \u00e0 son regard. On retrouve donc d’une part des personnages qui, comme Mina Murray ou Orlando, sont v\u00e9ritablement des fils rouges de la continuit\u00e9 des Gentlemen mais aussi une organisation cit\u00e9e lors de la minis\u00e9rie Century, \u00e0 savoir les Seven Stars, une \u00e9quipe de super-h\u00e9ros 100% pur jus mais depuis longtemps disparue (au point d’avoir une sorte de mini-comic-book vers la fin). La particularit\u00e9 de LOEG c’est cette capacit\u00e9 \u00e0 tout r\u00e9cup\u00e9rer, y compris les id\u00e9es, les d\u00e9tails \u00e0 peine amorc\u00e9s lors de pr\u00e9c\u00e9dents projets. Mais la sp\u00e9cificit\u00e9 de la chose est sans doute que, pour une partie du public, les silhouettes de Hyde, de l’Homme Invisible ou du premier Nemo ne sont jamais loin. Aussi \u00e0 chaque nouvelle s\u00e9rie li\u00e9e \u00e0 la LOEG (peut-\u00eatre moins dans la trilogie li\u00e9e \u00e0 Janni Nemo), il faut se r\u00e9acclimater, chasser la r\u00e9f\u00e9rence parfois singuli\u00e8rement british… Pourtant ceux qui m\u00e9connaissent les vieilleries de la BD anglaise devraient cette fois s’y retrouver plus facilement que sur un Century, par exemple, tant, quand on est un temps soit peu familier avec l’\u0153uvre de Moore, la chose prend des allures peut-\u00eatre pas de testament mais en tout cas de bilan.<\/p>\n

\n

\u00ab\u00a0W-Well, we discovered something else…\u00a0\u00bb<\/strong><\/h3>\n<\/blockquote>\n

Avec des titres comme \u00ab\u00a0Farewell to Forever\u00a0\u00bb (donn\u00e9 \u00e0 l’\u00e9pisode tout entier) ou \u00ab\u00a0Farewells Aren\u2019t Forever\u00a0\u00bb (l’\u00e9volution du terrible M, pr\u00e9sent\u00e9 sous forme de strips publi\u00e9s dans \u00ab\u00a0Brute\u00a0\u00bb), Moore donne le ton, on tourne autour de l’adieu. Et pour l’occasion le sc\u00e9nariste revisite certains gimmicks qui ont fait sa r\u00e9ussite. Bien qu’il ne retouchera jamais aux Watchmen, il leur emprunte ici quelques techniques narratives, entre l’\u00e9quipe de super-h\u00e9ros disparue, les retours dans le temps ou ce strip qui vient s’ins\u00e9rer dans le r\u00e9cit. O’Neill, lui, en profite pour travailler des ambiances diff\u00e9rentes, plus ou moins sombres, selon le contexte auquel on se r\u00e9f\u00e8re. Parfois, en revanche, on en vient \u00e0 confondre certaines h\u00e9ro\u00efnes. Entre Satin, Mina ou d’autres, heureusement qu’il y a usage (ou pas) d’un foulard par-ci par-l\u00e0 car les visages ne sont pas toujours stables. Mais pour qui a saisi le sens v\u00e9ritable de la LOEG depuis le d\u00e9but, m\u00eame en l’absence des figures historiques (et encore, avec des voyageurs temporels dans l’histoire mieux vaut ne pas trop s’avancer jusqu’\u00e0 la conclusion de cette s\u00e9rie), il y a ici une envie de synth\u00e8se, un sentiment de finalit\u00e9 qui fait qu’on est \u00e0 la fois content de retrouver Mina tout en se pr\u00e9parant d\u00e9j\u00e0 \u00e0 l’id\u00e9e que, m\u00eame si les id\u00e9es sont \u00e9ternelles, il y a un moment o\u00f9 elles ont fait leur temps. On sent les deux auteurs \u00e0 la fois passionn\u00e9s par ces personnages anciens et d\u00e9j\u00e0 pr\u00eats \u00e0 passer \u00e0 quelque chose d’autre. Captivant.<\/p>\n[Xavier Fournier]\n","protected":false},"excerpt":{"rendered":"

Alan Moore et Kevin O’Neill d\u00e9butent cette semaine leurs adieux \u00e0 la The League Of Extraordinary Gentlemen: The Tempest, pr\u00e8s…<\/p>\n","protected":false},"author":4,"featured_media":74367,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,1727,1],"tags":[227,21,2623,5872,714],"class_list":["post-74365","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-diapo","category-news","tag-alan-moore","tag-comics","tag-kevin-oneill","tag-the-league-of-extraordinary-gentlemen","tag-top-shelf"],"yoast_head":"\nAvant-Premi\u00e8re 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