{"id":73896,"date":"2018-05-30T14:06:12","date_gmt":"2018-05-30T12:06:12","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=73896"},"modified":"2018-05-30T14:06:12","modified_gmt":"2018-05-30T12:06:12","slug":"avant-premiere-vo-review-man-of-steel-1","status":"publish","type":"post","link":"https:\/\/www.comicbox.com\/index.php\/articles\/avant-premiere-vo-review-man-of-steel-1\/","title":{"rendered":"Avant-Premi\u00e8re VO: Review Man of Steel #1"},"content":{"rendered":"

Termin\u00e9s les previews et autres num\u00e9ros anniversaires. Man of Steel #1 marque la v\u00e9ritable arriv\u00e9e de Brian Michael Bendis dans le monde de Superman, \u00e0 l’instar de ce que le premier Man of Steel avait \u00e9t\u00e9 pour John Byrne en son temps. Mais cette fois il ne s’agit pas d’une r\u00e9\u00e9criture de l’historique du personnage. Pas de reboot mais une prise de contact d’un Superman \u00e0 la fois moderne et classique, le pass\u00e9 \u00e9tant trait\u00e9 sous forme d’ellipse ch\u00e8re au sc\u00e9nariste.<\/p>\n

\"ManMan of Steel #1 [DC Comics]<\/strong>
\nSc\u00e9nario de Brian Michael Bendis
\nDessins d’Ivan Reis et Jay Fabok
\nParution aux USA le mercredi 30 mai 2018<\/strong><\/p>\n

Qui touche \u00e0 Superman touche au taulier de l’univers DC. La chose peut \u00eatre per\u00e7ue de fa\u00e7on variable parce que certains trouvent Batman plus cr\u00e9dible et badass, d’autres pointeront que depuis 1956 Flash a toujours \u00e9t\u00e9 \u00e0 la base des grands virages de DC. Ou bien que Wonder Woman est plus mythologique et f\u00e9ministe, Green Lantern est plus cosmique, que Green Arrow est plus social. Mais Superman reste le m\u00e9tronome. Rien ne symbolise plus l’apr\u00e8s-Crisis que le Man of Steel de Byrne. Quand Superman va, l’univers DC va… Quand il se perd, ce serait TRES excessif de dire que toutes les autres s\u00e9ries DC partent en vrille. Mais dans ces cas-l\u00e0, DC perd quand m\u00eame son rep\u00e8re moral. Un Superman qui passe au troisi\u00e8me plan et c’est la Justice League qui perd de sa superbe. Une relance de Superman fait donc des ricochets dans le reste de l’univers DC et la couverture de ce premier num\u00e9ro exprime d’ailleurs tr\u00e8s bien que ce n’est pas important que pour le seul Superman. Ces derni\u00e8res ann\u00e9es, l’\u00e9diteur a beaucoup b\u00e9gay\u00e9 dans son usage du personnage, chaque interpr\u00e9tation durant difficilement plus d’un an, la plus r\u00e9cente avait amorc\u00e9 un retour au Superman classique, en fusionnant des \u00e9l\u00e9ments de la continuit\u00e9 pr\u00e9-2011. C’est clairement ce Superman-l\u00e0 – une sorte de modernisation du h\u00e9ros du Bronze Age – que Bendis veut continuer d’\u00e9crire sans jouer les iconoclastes. Cela ne l’emp\u00eache pas de continuer d’injecter de nouveaux personnages secondaires (apr\u00e8s une nouvelle collaboratrice au Daily Planet il y a quelques semaines, voici la nouvelle grad\u00e9e chez les pompiers), permettant de f\u00e9miniser un peu plus Metropolis. Ce n’est d’ailleurs pas un mal car trop souvent dans le pass\u00e9 on pouvait croire que Lois \u00e9tait pratiquement la seule femme de la ville.<\/p>\n

\n

\u00ab\u00a0You’re p-ulling all his triggers.\u00a0\u00bb<\/strong><\/h3>\n<\/blockquote>\n

Le dessinateur Ivan Reis n’en est plus \u00e0 son premier contact avec Superman. C’est m\u00eame un gage de continuit\u00e9 avec ce qui se faisait encore r\u00e9cemment avec ce personnage. Mais si l’on fait l’effort de ne regarder que le seul script, la patte de Bendis devient manifeste. Dans l’histoire des transferts entre Marvel et DC il y a deux grands cas de figures. Les sc\u00e9naristes qui, sans se renier, improvisent selon la mati\u00e8re premi\u00e8re \u00e0 leur disposition. Typiquement un Geoff Johns \u00e9crivait les Avengers avec son style mais avec des m\u00e9canismes tr\u00e8s diff\u00e9rents de JSA. La chose vaut aussi pour Grant Morrison, selon qu’on le lise dans New X-Men et Batman. A l’inverse, il y a ceux qui \u00e9crivent chez un \u00e9diteur comme une continuation de ce qu’ils ont pu \u00e9crire chez l’autre. On pouvait reconna\u00eetre dans le Fourth World de Kirby le prolongement de Thor, dans la JLA d’Englehart la suite de ses Avengers. Et Bendis semble s’orienter vers cette cat\u00e9gorie. Typiquement, il nous donne un r\u00e9cit r\u00e9parti sur plusieurs \u00e9poques, avec des aller-retours dans le temps. Introduit rapidement dans Action Comics #1000, l’extra-terrestre Rogol Zaar y gagne d’ailleurs, avec tout un travail de mise en place. Et si Bendis n’est pas le premier \u00e0 utiliser un Conseil Galactique chez DC, celui qu’il montre ici a un air de famille prononc\u00e9 avec ce qu’il \u00e9crivait dans Guardians of the Galaxy. Ce qui, traduit en des termes de fans-hooligans, peut se r\u00e9sumer bien s\u00fbr \u00e0 un simple \u00ab\u00a0si vous d\u00e9testiez Bendis chez Marvel, vous allez le d\u00e9tester chez DC Comics\u00a0\u00bb. Mais d’une, si vous avez d\u00e9test\u00e9 les 15 derni\u00e8res ann\u00e9es de Bendis, rendez-vous service et arr\u00eatez de \u00e0 la suivre \u00e0 la fois ses projets et ce qui s’en dit. Par la force des choses cela ne vous concerne plus. De deux, de fa\u00e7on plus r\u00e9aliste, mesur\u00e9e et \u00e9quitable, si un auteur reste coh\u00e9rent dans son \u00e9criture, il n’en reste pas moins qu’il convient plus ou moins \u00e0 certaines ambiances, certains personnages. Et l\u00e0, de la m\u00eame mani\u00e8re qu’il y avait un foss\u00e9 entre son Daredevil et ses X-Men, il existe le m\u00eame genre d’\u00e9cart entre la fin exp\u00e9di\u00e9e de son Iron Man<\/a> et ce d\u00e9but de son Superman. Sans pour autant juger \u00e0 l’avance de tout un run, ce d\u00e9marrage semble plut\u00f4t prometteur et atteste de la compatibilit\u00e9 de Bendis avec Kal-El.<\/p>\n[Xavier Fournier]\n","protected":false},"excerpt":{"rendered":"

Termin\u00e9s les previews et autres num\u00e9ros anniversaires. 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