{"id":73188,"date":"2018-03-17T13:09:09","date_gmt":"2018-03-17T12:09:09","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=73188"},"modified":"2018-03-17T13:09:09","modified_gmt":"2018-03-17T12:09:09","slug":"avant-premiere-vo-review-new-mutants-dead-souls-1","status":"publish","type":"post","link":"https:\/\/www.comicbox.com\/index.php\/articles\/avant-premiere-vo-review-new-mutants-dead-souls-1\/","title":{"rendered":"Avant-Premi\u00e8re VO: Review New Mutants: Dead Souls #1"},"content":{"rendered":"

Matthew Rosenberg et Adam Gorham reforment les New Mutants, en vue d’une actualit\u00e9 cin\u00e9ma qui, finalement n’a plus de raison d’\u00eatre. Magik devient le boss du groupe tout en conservant son c\u00f4t\u00e9 cynique. Le sc\u00e9nariste surfe finalement assez dans la lign\u00e9e d’un Chris Claremont mais puisqu’on parle de \u00ab\u00a0Dead Souls\u00a0\u00bb, le dessin, lui, peine \u00e0 donner un peu d’\u00e2me \u00e0 tout \u00e7a.<\/p>\n

\"NewNew Mutants: Dead Souls #1 [Marvel Comics]<\/strong>
\nSc\u00e9nario de Matthew Rosenberg
\nDessins de Adam Gorham
\nParution aux USA le mercredi 14 mars 2018<\/strong><\/p>\n

A presque chaque fois qu’un film se profile \u00e0 l’horizon, Marvel profite d’un effet d’appel esp\u00e9r\u00e9 pour relancer les personnages concern\u00e9s autour d’un num\u00e9ro 1, qu’on parle d’Amazing Spider-Man, Deadpool ou des Avengers. A n’en pas douter cette minis\u00e9rie New Mutants \u00e9tait pens\u00e9e pour capitaliser sur le film de la Fox mais le studio a jou\u00e9 un sale tour \u00e0 l’\u00e9diteur en d\u00e9calant presque \u00e0 la derni\u00e8re minute la sortie jusqu’\u00e0 l’an prochain. Reste donc une minis\u00e9rie lanc\u00e9e en production sans capacit\u00e9 de faire marcher arri\u00e8re et qui lorgne ouvertement sur le c\u00f4t\u00e9 horrifique que le film New Mutants semblait mettre en avant. Sans nous rejouer pr\u00e9cis\u00e9ment la saga du Demon-Bear, Matthew Rosenberg arrive \u00e0 retrouver beaucoup de la tonalit\u00e9 de Claremont quand il mesurait ses mutants \u00e0 des \u00e9l\u00e9ments sombres\/d\u00e9moniaques. M\u00eame si les sc\u00e9naristes ont une \u00e9criture diff\u00e9rente (moins verbeuse pour Rosenberg), c’est d’ailleurs \u00e0 se demander si Marvel ne le consid\u00e8re pas comme un Claremont de substitution, apr\u00e8s lui avoir confi\u00e9 la r\u00e9surrection de Jean Grey. L\u00e0 o\u00f9 la reconstitution se fait un peu plus curieuse, c’est dans le casting m\u00eame du groupe. D’une part un certain nombre de New Mutants historiques sont occup\u00e9s ailleurs (Sunspot et Cannonball dans les pages des Avengers) et d’un autre c\u00f4t\u00e9, pour mettre en avant Illyana, Rosenberg ne semblait pas vouloir avoir dans les pattes une Moonstar. Pas de Cypher ou Warlock au programme non plus. C’est plut\u00f4t un groupe composite, avec un sentiment de \u00ab\u00a0on fait avec les invendus\u00a0\u00bb. Car si Boom-Boom ou Rictor ont \u00e9t\u00e9 membres des New Mutants dans la derni\u00e8re moiti\u00e9 de la s\u00e9rie initiale, rajouter Strong Guy ou Prodigy, utiliser Karma mais en retrait… tout cela fait un peu al\u00e9atoire. On peine \u00e0 voir pourquoi Magik ressentirait le besoin de travailler avec certains d’entre eux plus que, mettons, certains des nouveaux \u00e9l\u00e8ves mutants introduits pendant l’\u00e8re Bendis. En fait le groupe ressemble \u00e0 une sorte de puzzle \u00e0 mi-chemin entre les New Mutants et le X-Factor de Peter David. M\u00eame la privatisation du groupe sonne plus comme ce que David avait produit au moment de Serval Industries. Mais finalement, Rosenberg passe quand m\u00eame au forcing, en mettant en avant l’ambiance plus que les figurants.<\/p>\n

\n

\u00ab\u00a0Let’s do the big super hero thing.\u00a0\u00bb<\/strong><\/h3>\n<\/blockquote>\n

Le probl\u00e8me, c’est que le script n’est pas mis en image par un Bill Sienkiewicz ou par quelqu’un comme Mike Del Mundo, un artiste qui pourrait symboliser la volont\u00e9 de Rosenberg de proc\u00e9der \u00e0 une sorte d’hommage\/mise \u00e0 jour de ce qu’on pouvait lire dans New Mutants vol.1 aux alentours du #20. Adam Gorham est en un sens trop factuel, trop premier degr\u00e9. Si bien que lors de certaines situations o\u00f9 le sc\u00e9nario veut aller dans la direction d’un non-sens (la sc\u00e8ne du chat par exemple), qui fonctionnerait assez bien dessin\u00e9 de mani\u00e8re psych\u00e9d\u00e9lique, le repr\u00e9senter dans un registre r\u00e9aliste \u00e9touffe l’\u00e2me du script. C’est le dessin qui fait qu’au lieu d’une vraie r\u00e9surrection des New Mutants on a l’impression de lire une \u00e9ni\u00e8me minis\u00e9rie. Dommage parce que le script avait du potentiel.<\/p>\n[Xavier Fournier]\n","protected":false},"excerpt":{"rendered":"

Matthew Rosenberg et Adam Gorham reforment les New Mutants, en vue d’une actualit\u00e9 cin\u00e9ma qui, finalement n’a plus de 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