{"id":71891,"date":"2017-10-08T09:00:56","date_gmt":"2017-10-08T07:00:56","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=71891"},"modified":"2017-10-07T21:46:29","modified_gmt":"2017-10-07T19:46:29","slug":"premiere-vo-review-x-men-gold-13","status":"publish","type":"post","link":"https:\/\/www.comicbox.com\/index.php\/articles\/premiere-vo-review-x-men-gold-13\/","title":{"rendered":"Avant-Premi\u00e8re VO: Review X-Men Gold #13"},"content":{"rendered":"

Face \u00e0 l’effritement de ses audiences Mojo, le terrible producteur interdimensionnel, d\u00e9cide de ne pas y aller par quatre chemins et de rejouer tous ses classiques d’un coup. Il kidnappe donc les X-Men, qu’ils soient \u00ab\u00a0Gold\u00a0\u00bb ou \u00ab\u00a0Blue\u00a0\u00bb, pour les projeter dans des contextes qui \u00e9voquent aussi bien Days of Future Past qu’Asgardians Wars. Est-ce que le sc\u00e9nariste ne serait pas en train de nous dire quelque chose sur l’\u00e9tat du march\u00e9 ?<\/p>\n

\"X-MenX-Men Gold #13 [Marvel Comics]<\/strong>
\nSc\u00e9nario de Marc Guggenheim
\nDessins de Mike Mayhew
\nParution aux USA le mercredi 4 octobre 2017<\/strong><\/p>\n

D’habitude les deux \u00e9quipes principales de X-Men (ce qui se passe dans Astonishing X-Men est sans doute trop r\u00e9cent pour \u00eatre pris en compte) vivent chacune de leur c\u00f4t\u00e9, l’une en Am\u00e9rique et l’autre \u00e0 Madripoor. Mais l\u00e0 elles sacrifient au rituel \u00ab\u00a0mutant\u00a0\u00bb de la partie de baseball quand les h\u00e9ros sont dispers\u00e9s \u00e0 travers diff\u00e9rentes r\u00e9alit\u00e9s que les X-Men connaissent d\u00e9j\u00e0. Mojo a en effet d\u00e9cid\u00e9 de rejouer ses \u00ab\u00a0greatests hits\u00a0\u00bb et de donner dans le remake. Cela se passe comme cela \u00e0 Hollywood nous glisse le sc\u00e9nariste Marc Guggenheim… en manipulant peut-\u00eatre une ironie bien plus sournoise, un pied de nez \u00e0 l’attention de Marvel. Car l’arc Mojo Worldwide qui commence dans ce num\u00e9ro marque aussi le d\u00e9but de Legacy pour les mutants, \u00e0 savoir quelque chose qui a \u00e9t\u00e9 market\u00e9 comme un retour de personnages classiques pour contenter une partie du public. De plus Guggenheim, en faisant r\u00e9f\u00e9rence \u00e0 des figures de style connues, tir\u00e9es directement du r\u00e9pertoire des ann\u00e9es 80\/90 (c’est \u00e0 dire pas seulement Mojo mais une mani\u00e8re de lorgner sur la narration des Annuals de cette p\u00e9riode-l\u00e0), ne la joue pas autrement depuis le d\u00e9but du pr\u00e9sent volume. Le retour du couple Peter\/Kitty, la r\u00e9surrection d’Omega Red, Guggenheim n’a pas attendu le d\u00e9but de Legacy pour regarder en arri\u00e8re. Pour autant, regarder en arri\u00e8re n’est pas une mauvaise chose si l’on prend soin de bien s\u00e9lectionner ce que l’on regarde. Guggenheim retrouve un peu l’esprit d’un Claremont, avec des X-Men qui ne sont pas obs\u00e9d\u00e9s par la possibilit\u00e9 de leur disparition mais sont aussi des voyageurs, des zappeurs de monde. Ironiquement, c’est sans doute involontairement qu’il retrouve certaines sc\u00e8nes proches de choses plus r\u00e9centes. Ainsi, la premi\u00e8re rencontre entre Old Man Logan et Kid Wolverine fait furieusement penser \u00e0 ce que Bendis avait fait pour la rencontre entre la jeune Jean Grey et Rachel Summers.<\/p>\n

\n

\u00ab\u00a0You’re sayin’ someone’s trying to kill us with nostalgia.\u00a0\u00bb<\/strong><\/h2>\n<\/blockquote>\n

Mike Mayhew n’est pas totalement dans le m\u00eame trip r\u00e9trospectif. S’il y a bien certaines cases qui montrent ce \u00e0 quoi ces \u00ab\u00a0\u00e9poques\u00a0\u00bb font r\u00e9f\u00e9rence, il reste plus ma\u00eetre de son dessin pendant la plus grande partie de l’\u00e9pisode, encore qu’il semble h\u00e9siter sur la fa\u00e7on de g\u00e9rer certaines ambiances, certains effets. Connu pour son r\u00e9alisme parfois presque photographique, Mayhew donne ici certaines cases de super-h\u00e9ros assez classiques puis, l’instant d’apr\u00e8s, \u00e9voque presque un travail 3D (en particulier sur le visage de Rachel). Difficile de tirer des conclusions sur Mojo Worlwide dans son ensemble puisqu’il s’agit surtout d’un prologue avant d’entrer dans le vif du sujet. La vraie question est de savoir ce qu’il en ressortira. Car si c’est pour nous rejouer les classiques sans qu’il en d\u00e9coule quelque chose de nouveau, alors la petite pique de Marc Guggenheim \u00e0 l’attention d’Hollywood perdrait de sa pertinence et tournerait plut\u00f4t \u00e0 la d\u00e9claration d’intention.<\/p>\n[Xavier Fournier]\n","protected":false},"excerpt":{"rendered":"

Face \u00e0 l’effritement de ses audiences Mojo, le terrible producteur interdimensionnel, d\u00e9cide de ne pas y aller par quatre chemins…<\/p>\n","protected":false},"author":4,"featured_media":71893,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,1727,1],"tags":[21,5142,76,5146,4640],"class_list":["post-71891","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-diapo","category-news","tag-comics","tag-marvel","tag-mutants","tag-x-men","tag-x-men-gold"],"yoast_head":"\nAvant-Premi\u00e8re 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