{"id":71129,"date":"2017-08-01T09:00:44","date_gmt":"2017-08-01T07:00:44","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=71129"},"modified":"2017-07-31T21:04:09","modified_gmt":"2017-07-31T19:04:09","slug":"premiere-vo-review-doom-patrol-7","status":"publish","type":"post","link":"https:\/\/www.comicbox.com\/index.php\/articles\/premiere-vo-review-doom-patrol-7\/","title":{"rendered":"Avant-Premi\u00e8re VO: Review Doom Patrol #7"},"content":{"rendered":"

La Doom Patrol s’offre un num\u00e9ro hors-normes cette fois. Sachant que depuis des d\u00e9cennies c’est l’un des groupes les plus d\u00e9lirants qui soit, ce n’est pas une mince affaire. Le Chief, fondateur de la patrouille, est en effet de retour, bien d\u00e9cid\u00e9 \u00e0 en reprendre la direction. Mais les membres, eux, ne sont pas convaincus. Qui aura le dernier mot ? Seuls Gerard Way et Mike Allred, dessinateur invit\u00e9 pour l’occasion, le savent alors qu’on s’engage dans cette histoire.<\/p>\n

\"\"Doom Patrol #7 [DC Comics\/Young Animal]<\/strong>
\nSc\u00e9nario de Gerard Way
\nDessins de Michael Allred
\nParution aux USA le mercredi 26 juillet 2017<\/strong><\/p>\n

Le sc\u00e9nariste Gerard Way est un \u00e9norme fan de la Doom Patrol de Grant Morrison. Il suffisait de lire son Umbrella Academy pour s’apercevoir de la filiation, au moins partielle. Pas \u00e9tonnant qu’\u00e9tant devenu une figure de proue de Young Animal (label qui surfe un peu sur l’esprit Vertigo des ann\u00e9es 90) le m\u00eame Gerard Way se soit d\u00e9p\u00each\u00e9 de relancer la Doom Patrol dans une ambiance similaire. Et personne ne lui en fera le reproche. Quitte \u00e0 \u00e9crire la Doom Patrol, autant s’inspirer d’une des meilleures p\u00e9riodes du titre. Autre cheminement logique : Figure tut\u00e9laire de Young Animal, le responsable \u00e9ditorial Jamie S. Rich a collabor\u00e9 de longue date avec le dessinateur Michael Allred (sur Madman par exemple). D\u00e8s lors que Rich a pris ses aises sur le label, on pouvait s’attendre \u00e0 ce qu’Allred y pointe le bout de son nez. C’est doublement le cas puisqu’Allred coproduit Bug! The Adventures of Forager<\/strong><\/a> pour le m\u00eame label mais dessine aussi des couvertures alternatives pour Doom Patrol. A partir de l\u00e0, retrouver Gerard Way et Michael Allred ensemble pour produire des pages int\u00e9rieures de cette s\u00e9rie ne demandait pas un effort surhumain d’imagination. Mais quand m\u00eame, retrouver un dessinateur \u00ab\u00a0invit\u00e9\u00a0\u00bb peut parfois sombrer dans le fill-in dispensable. Alors qu’ici Gerard Way a m\u00e9nag\u00e9 quelque chose qui mijote depuis le d\u00e9but du volume actuel. C’est \u00e0 dire que le Chief r\u00f4de, jusqu’ici le plus souvent sous forme de petits gags limit\u00e9s \u00e0 une sc\u00e8ne. Le truc c’est que depuis les \u00e9pisodes de Morrison, on sait que le Chief n’a rien d’une blanche colombe. Il est plut\u00f4t comparable \u00e0 un Professeur Xavier qui n’aurait jamais \u00e9t\u00e9 pardonn\u00e9 pour Onslaught. Le Chief a un certain m\u00e9pris pour la vie humain et est \u00e0 l’origine des accidents qui ont cr\u00e9\u00e9 la plupart des \u00ab\u00a0freaks\u00a0\u00bb de l’\u00e9quipe historique. Ceci explique leur d\u00e9fiance. Mais le Chief peut-il se faire pardonner et faire d’eux une \u00e9quipe plus efficace ? Ce num\u00e9ro est une v\u00e9ritable montagne russe.<\/p>\n

\n

\u00ab\u00a0I want to heal this world of hurt.\u00a0\u00bb<\/strong><\/h3>\n<\/blockquote>\n

Sans se d\u00e9faire de sa fascination pour Morrison (bien au contraire, il lui emprunte son phras\u00e9), Gerard Way s’en donne \u00e0 c\u0153ur-joie ce mois-ci pour lorgner sur la Doom Patrol des ann\u00e9es 60\/70, pr\u00e9sence du Chief, de Robot man et Negative Man oblige. M\u00eame la pr\u00e9sence de la plus r\u00e9cente Casey n’y fait rien : elle enfile elle aussi la fameuse tenue rouge et blanche tandis que le Chief trouve une nouvelle mission pour tout ce petit monde : chasser les mauvaises id\u00e9es, litt\u00e9ralement. C’est d\u00e9lirant encore plus qu’\u00e0 l’accoutum\u00e9e et le c\u00f4t\u00e9 \u00ab\u00a0Pierrot lunaire\u00a0\u00bb qu’Allred donne \u00e0 la plupart de ses \u00ab\u00a0h\u00e9ros-maison\u00a0\u00bb convient ici tout \u00e0 fait \u00e0 l’\u00e9quipe (et \u00e0 Negative Man en particulier). Doom Patrol a un peu les inconv\u00e9nients de ses avantages. C’est \u00e0 dire que la lecture \u00e9voque un peu l’\u00e9coute d’un concert par un Tribute Band. Il y a de tr\u00e8s bons groupes de reprises mais ce n’est pas parce que vous avez entendu des gens rejouer les morceaux des Doors ou d’Elvis que vous pouvez r\u00e9ellement vous targuer d’avoir vu l’original. Ici, c’est donc un peu pareil. C’est tr\u00e8s fun \u00e0 lire mais pourtant sur ces sept premiers \u00e9pisodes, on aurait tendance \u00e0 conseiller la lecture \u00e0 ceux qui, au bas mot, ont lu les TPB de l’\u00e8re Morrison et le projet Flex Mentallo avec Frank Quitely. Sans cela, ce n’est pas que ce soit illisible, loin s’en faut (pour peu qu’on ait une id\u00e9e de qui est le Chief ce num\u00e9ro est m\u00eame tr\u00e8s abordable) mais vous auriez sans doute l’impression de passer \u00e0 c\u00f4t\u00e9 de quelque chose (par exemple dans les premiers \u00e9pisodes des \u00e9l\u00e9ments comme Danny The Street sont r\u00e9introduit sans beaucoup d’explication, si on ne le connait pas d’avance). C’est n\u00e9anmoins un \u00e9pisode charmant, qui permet de juger de la \u00ab\u00a0dinguerie\u00a0\u00bb de la s\u00e9rie !<\/p>\n[Xavier Fournier]\n","protected":false},"excerpt":{"rendered":"

La Doom Patrol s’offre un num\u00e9ro hors-normes cette fois. 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