{"id":68735,"date":"2016-12-04T13:28:56","date_gmt":"2016-12-04T12:28:56","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=68735"},"modified":"2016-12-04T13:28:56","modified_gmt":"2016-12-04T12:28:56","slug":"premiere-vo-review-suicide-squad-7","status":"publish","type":"post","link":"https:\/\/www.comicbox.com\/index.php\/articles\/premiere-vo-review-suicide-squad-7\/","title":{"rendered":"Avant-Premi\u00e8re VO: Review Suicide Squad #7"},"content":{"rendered":"

Le complexe du Suicide Squad est attaqu\u00e9… de l’int\u00e9rieur. L’essentiel des occupants du batiment a perdu la raison, basculant dans la folie en raison d’ondes chaotiques qui semblent \u00e9mises depuis la Phantom Zone. Le sort de l’organisation repose sur Harley Quinn qui, ne faisant jamais rien comme tout le monde, est devenue saine d’esprit.<\/p>\n

\"Avant-Premi\u00e8reSuicide Squad #7 [DC Comics]<\/strong>
\nSc\u00e9nario de Rob Williams
\nDessins de Christian Ward
\nParution aux USA le mercredi 30 novembre 2016<\/strong><\/p>\n

Cela fait pratiquement depuis 2011 que le Suicide Squad est devenu, d’une certaine mani\u00e8re, \u00ab\u00a0Harley Quinn and the Suicide Squad\u00a0\u00bb, DC Comics voulant booster la popularit\u00e9 du titre et de l’\u00e9quipe. Dans une configuration o\u00f9 le Suicide Squad a perdu l’esprit et o\u00f9 il ne doit en rester qu’un(e) pour sauver la mise aux autres, il n’est donc pas tr\u00e8s \u00e9tonnant que ce soit Harley Quinn qui s’y colle. En clair, on est un peu dans le registre d’une inversion fa\u00e7on Axis de Marvel. Les gens de raison deviennent des fous furieux tandis que l’hyst\u00e9rique adopte un comportement plus coh\u00e9rent. La question qui pourrait se poser, d’une certaine mani\u00e8re, c’est de savoir si une Harley saine d’esprit peut \u00eatre aussi int\u00e9ressante. Mais d’une part c’est un peu plus compliqu\u00e9 que \u00e7a : les gens ne sont pas simplement \u00ab\u00a0invers\u00e9s\u00a0\u00bb, ils c\u00e8dent \u00e0 leurs envies les plus profondes. Et Rob Williams a construit depuis le debut son approche d’Harley sur le fait qu’au fond d’elle-m\u00eame elle se voyait comme une h\u00e9roine. D’autre part, quand bien m\u00eame Harley Quinn est en \u00e9vidence dans l’\u00e9pisode, elle est aussi une observatrice, un point de vue qui ne cesse de dianostiquer les agissements de ses co-\u00e9quipiers. Bien qu’au premier degr\u00e9 ce soit surtout un \u00e9pisode de castagne, au second degr\u00e9 il s’agit bien de cataloguer les envies des uns et des autres. Si l’id\u00e9e est int\u00e9ressante, \u00e0 ce petit jeu les personnages ne sont pas tous gagnants au m\u00eame niveau. Il suffit d’une page pour faire avancer les situations de Killer Croc et Julie Moone, avec sans doute des retomb\u00e9es \u00e0 venir dans la dynamique du groupe. A l’inverse, bonne ou folle, Katana reste une sorte de gadget qui fait le service minimum en termes de dialogue. Episode apr\u00e8s \u00e9pisode, son \u00e9p\u00e9e a presque plus de personnalit\u00e9 qu’elle et Williams serait bien inspir\u00e9, \u00e0 un moment, de s’occuper r\u00e9ellement d’elle.<\/p>\n

\n

\u00ab\u00a0We don’t have time for happiness, Quinn !\u00a0\u00bb<\/strong><\/h3>\n<\/blockquote>\n

L’\u00e9pisode principal est une fois de plus dessin\u00e9 par Jim Lee, qui continue une pr\u00e9sence tr\u00e8s r\u00e9guli\u00e8re mais sans doute, si l’on y regarde bien, moins inspir\u00e9e que sur certains projets pr\u00e9c\u00e9dents. Lee met en effet le paquet sur les personnages principaux mais ne s’encombre pas des \u00ab\u00a0figurants\u00a0\u00bb et si l’on porte un peu attention aux autres d\u00e9tenus et aux gardiens de la prison, au second plan, bien souvent ce sont des \u00ab\u00a0paquets\u00a0\u00bb dont l’anatomie n’est pas tr\u00e8s coh\u00e9rente. Cette \u00ab\u00a0\u00e9conomie\u00a0\u00bb du dessin fonctionne cependant, puisque les protagonistes principaux font le show. En \u00ab\u00a0back-up\u00a0\u00bb, Rob Williams et Christian Ward s’int\u00e9ressent \u00e0 l’Enchantress, dans un segment finalement plus intimiste qu’on pourrait le croire. Pourquoi et comment l’Enchantress n’\u00e9chappe pas \u00e0 Waller aussi facilement qu’elle pouvait le faire dans la version cin\u00e9 ? Pour le coup, Rob Williams a la r\u00e9ponse : il la traite comme un personnage et non pas comme un gimmick. Au final la chose qui occupera les avis sera sans doute un certain retour dans ce num\u00e9ro. S’il est certain que bien des lecteurs attentaient cette r\u00e9apparition, il faut quand m\u00eame dire que Williams s’y prend assez bien et qu’ils seront certainement peu nombreux \u00e0 avoir anticip\u00e9 le \u00ab\u00a0comment\u00a0\u00bb des choses. Reste un personnage finalement assez passif (\u00e0 part une br\u00e8ve mention au d\u00e9but) : le G\u00e9n\u00e9ral Zod, dans ce chaos ambiant, n’est gu\u00e8re utilis\u00e9. Alors qu’on serait curieux de voir ce que donnerait un Zod \u00ab\u00a0invers\u00e9\u00a0\u00bb.<\/p>\n[Xavier Fournier]\n","protected":false},"excerpt":{"rendered":"

Le complexe du Suicide Squad est attaqu\u00e9… de l’int\u00e9rieur. 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