{"id":4490,"date":"2008-06-05T16:50:58","date_gmt":"2008-06-05T14:50:58","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=4490"},"modified":"2008-06-05T16:53:17","modified_gmt":"2008-06-05T14:53:17","slug":"screenwriter-josh-olson-discusses-his-chapter-of-dcu-universe-film-batman-gotham-knight","status":"publish","type":"post","link":"https:\/\/www.comicbox.com\/index.php\/news-english\/screenwriter-josh-olson-discusses-his-chapter-of-dcu-universe-film-batman-gotham-knight\/","title":{"rendered":"Screenwriter Josh Olson Discusses His Chapter Of DCU Universe Film \u00ab\u00a0Batman Gotham Knight\u00a0\u00bb"},"content":{"rendered":"

<\/a><\/a><\/a>\"\"<\/a>[ENGLISH] Warner Animation tells us:<\/strong> Hollywood tradition dictates that an Academy Award nomination begets lucrative offer after offer, and the nominee usually reaps the immediate seven-figure benefits. But sometimes, boyhood dreams take precedence. Buoyed by his Oscar nod for scripting \u201cA History of Violence,\u201d Josh Olson has become one of the most sought-after writers in Hollywood. But amidst the offers following his nomination came the\u00a0opportunity to pen\u00a0a chapter of \u201cBatman Gotham Knight\u201d \u2013 and that was an offer simply too tempting to resist. The result is an impressive opening segment to the film that not only arrests the imagination with visually stunning perspectives of Batman, but sets the thematic tone for the entire six-chapter film.<\/p>\n

In the segment, entitled \u201cHave I Got a Story for You,\u201d Olson tells the story of how chance encounters with Batman by a group of street-wise youngsters leave each kid with a very different impression of the Dark Knight.<\/p>\n

\"\"<\/a>Since \u201cA History of Violence,\u201d for which he was also nominated for the British Academy Award, the Writer’s Guild Award, the Edgar and the USC Scriptor award, Olson has been busy drafting screenplays for both film and television. Olson has adapted the Dennis Lehane short story \u00ab\u00a0Until Gwen\u00a0\u00bb and will be directing the project himself. He worked on a draft of \u201cHalo\u201d for Peter Jackson, and is currently adapting L. Frank Baum’s \u201cOz\u201d books for Warner Bros. and Village Roadshow Pictures.<\/p>\n

Olson will join fellow \u201cBatman Gotham Knight\u201d writers Brian Azzarello, Greg Rucka and Alan Burnett, along with executive producer Bruce Timm, on the panel following the film\u2019s premiere at Wizard World Chicago on June 28. \u201cBatman Gotham Knight\u201d will arrive July 8, 2008 on DVD and Blu-Ray disc, and will also be available that day On Demand via digital cable and for download through broadband sites.<\/p>\n

Olson strode off the yellow brick road for a short discussion of his role in the creation of \u201cBatman Gotham Knight,\u201d his amusement over 1960s Batman action verbiage, and his passion for a good, old-fashioned decapitation.<\/p>\n

Without further ado, the Q&A with Josh Olson \u2026<\/p>\n

Question:
\nYou have arguably the most visually diverse chapter in the film. How did you communicate the direction in your script for your variety of Batman looks, and how detailed did you go?<\/p>\n

\"\"<\/a>Josh Olson answers:
\nMy feeling was that I\u2019d never worked in animation before, so if I was going to write a cartoon, I wanted it to BE a cartoon. I tried to come up with something that would be as visually entertaining as possible. Having worked on film crews in the art departments and around the digital effects guys, I know the best people for creating those visuals are the people that actually do it. So I was specific in relation to the story \u2013 I described a creature that grows out of shadows, a creature that is more bat than man, things like that. But I didn\u2019t get into too much detail because I wanted the directors and designers to knock themselves out. The animators got the chance to go nuts \u2013 and with them, and for this, nothing is too wild.<\/p>\n

Question:
\nAre they any particular moments in your segment that exceeded your vision?<\/p>\n

Josh Olson answers:
\nHonestly, I love them all, but there are some little flourishes that the director incorporated that really make me happy. In the robot batman segment, I love the way Batman hops off the building, and the way he sort of skids when he\u2019s turning around. There\u2019s a wonderful sense of whimsy in that direction that I really love.<\/p>\n

Question: Most folks leverage an Academy Award nomination into seven-figure deals, but you opted to draft one-sixth of an animated direct-to-DVD? What were you thinking?<\/p>\n

Josh Olson answers:
\n\"\"<\/a>I\u2019m a comics kid going way back, and we\u2019re talking about my favorite character. I got offered a lot of jobs after Violence, but I\u2019m picky. I have to really love the subject to write it. You\u2019re supposed to take your big money-making job right after you get a nomination, but I took this Batman project because it was an absolute no-brainer. You don\u2019t buy a house off this, but I was absolutely thrilled to do it. I got the chance to write the cartoon I would have wanted to see as a kid, and would still be entertained by today as an adult. I always wanted to write Batman \u2013 and when Chris Nolan is done with them, I\u2019m ready.<\/p>\n

Question: Did you take a different approach to writing for animation than you normally take to live-action?<\/p>\n

Josh Olson answers:
\nThis is so much more about the visual, and you have to be keyed into that. You have to justify the medium you\u2019re working in \u2013 in other words, it\u2019s animated for a reason. It\u2019s not an arbitrary choice. So I had to do something that justified that medium, and this one definitely does.<\/p>\n

Question:
\nIs there anything in your segment that we might not see if we weren\u2019t looking for it?<\/p>\n

Josh Olson answers:
\nThere are all sorts of little in-jokes. When the girl is describing the fight sequence, and she\u2019s saying \u201cbiff!!!\u201d and \u201cpow!!\u201d — that\u2019s my little tribute to the on-screen sound effects from the old Batman television show. But one of the words they had on screen back then was \u201cflrbbbb!\u201d \u2013 that drove me nuts as a kid. That\u2019s not a sound effect! So I had to throw that in.<\/p>\n

As a nod to Chris Nolan and \u201cMemento,\u201d I thought it would be fun to approach this by telling the story backwards. So you\u2019ll notice that each time the villain appears, he seems to be gaining weapons instead of losing them. That was an intentional nod to Chris Nolan\u2019s film, and I love playing with that type of structure.<\/p>\n

Question:
\nWhere did the inspiration for your segment initiate, and how did that play into your approach?<\/p>\n

Josh Olson answers
\nThe idea that was pitched reminded me of a great old 1970s Batman comic \u2013 Dick Giordano drew it, but it could have been Jim Aparo \u2013 that was a short story about three kids, each of whom saying what they thought Batman looked like. I remembered there was also an animated version that had three kids describing him in different iterations. Now you get a third story, so it becomes a legitimate genre. I always loved that story \u2013 kids sitting around a campfire talking about Batman, and he shows up. I thought it would be fun to make it more active.<\/p>\n

Question:
\nHow did you decide on the street slang the kids used in describing their brushes with Batman?<\/p>\n

Josh Olson answers:
\nThat was tough because I didn\u2019t want it to be completely locked into contemporary slang. I used some writer\u2019s tricks to cover up the fact that I\u2019m way too old to know how kids are talking today. I wanted it to be timeless and a little futuristic, so I used classic street kid slang tossed in with contemporary slang. I thought that was it would become clear that this was not set yesterday \u2013 it would be more likely take place tomorrow or the day after, at the latest.<\/p>\n

Question:
\nWas there anything you definitely wanted to include that you\u2019re particularly proud made it into the final film?<\/p>\n

Josh Olson answers:
\nJust because it\u2019s a cartoon, and because of the nature of the story, I wanted to do the one thing you\u2019d never see in a Batman segment: a decapitation. I was so happy they let me keep it. I thought, \u201cI\u2019ve gotta get it in there.\u201d The director did such a beautiful job. Batman never kills anyone. I wanted to have him do something really grotesquely inappropriate, and yet get the point across that Batman never kills. That was fun \u2026 very dark fun.<\/p>\n

Question:
\nSo, ultimately, how did you feel about your segment and the overall film?<\/p>\n

Josh Olson answers:
\nIt\u2019s fun \u2013 really visually pleasing. It was the best version I could possibly hope to see. I\u2019ve never seen a movie that so honored the script \u2013 it\u2019s up there word-for-word, perfectly translated, and it\u2019s really exciting to see that it worked. I\u2019m a huge fan of this film \u2013 the visions of Batman are amazing, and the visuals are incredible. I especially enjoyed Alan Burnett\u2019s segment \u2013 there\u2019s a visual of Deadshot on the Ferris wheel with these balloons and fireworks \u2013 it is really amazing. This project was an absolute blast.<\/p>\n

Trademark information for the images:
\n\u201cBatman Gotham Knight\u201d (c) Warner Bros. Ent Inc.
\n\u201cBatman\u201d and all related characters and elements are trademarks of and
\n(c) DC Comics. All Rights Reserved.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

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