{"id":2890,"date":"2008-02-23T14:00:38","date_gmt":"2008-02-23T13:00:38","guid":{"rendered":"http:\/\/www.comicbox.com\/index.php\/articles\/oldies-but-goodies-son-of-satan-8-fev-1977\/"},"modified":"2008-07-12T12:08:39","modified_gmt":"2008-07-12T10:08:39","slug":"oldies-but-goodies-son-of-satan-8-fev-1977","status":"publish","type":"post","link":"https:\/\/www.comicbox.com\/index.php\/articles\/oldies-but-goodies-son-of-satan-8-fev-1977\/","title":{"rendered":"Oldies But Goodies: Son Of Satan #8 (Fev. 1977)"},"content":{"rendered":"

\"sos8a.jpg\"[FRENCH] Alors que la s\u00e9rie Son of Satan touchait \u00e0 sa fin, Daimon Hellstrom, le rejeton du Diable, se jetait dans une eni\u00e8me tentative pour sauver l’\u00e2me de sa d\u00e9funte m\u00e8re. Bill Mantlo avait en t\u00eate une histoire tr\u00e8s sp\u00e9ciale, qui plus est mise en images de mani\u00e8re magistrale par Russ Heath. De quoi rendre tr\u00e8s \u00ab\u00a0culturelle\u00a0\u00bb cette derni\u00e8re visite en Enfer…<\/strong><\/p>\n

Je ne comprendrais sans doute jamais comment dans les ann\u00e9es 70 Marvel a os\u00e9 sortir un comic-book sur le Fils de Satan et comment le Comics Code Authority a pu approuver la chose. Non pas que ca me d\u00e9range (j’aime m\u00eame plut\u00f4t le personnage) mais enfin \u00e0 l’\u00e9poque j’imagine bien quelques conservateurs\/int\u00e9gristes montant sur leurs grands chevaux puisqu’en d\u00e9finitive la s\u00e9rie racontait les aventures de l’Ant\u00e9christ. Dans certains cercles, on devait \u00ab\u00a0pester gr\u00e2ve\u00a0\u00bb et il y a tout lieu de penser que certains distributeurs refusaient de prendre la s\u00e9rie en stock. Bref, Marvel avait annonc\u00e9 la fin de la s\u00e9rie d\u00e8s le #7, promettant tout juste qu’un ultime \u00e9pisode restait \u00e0 para\u00eetre.<\/p>\n

<\/a>\"sos8b.jpg\"En g\u00e9n\u00e9ral, quand on arr\u00eate une s\u00e9rie par m\u00e9vente et qu’on vous dit qu’il reste un truc dans les cartons, cela tourne souvent \u00e0 la promesse de gascon. Et pourtant non, l\u00e0 aussi chose \u00e9tonnante, Marvel tint parole et publia cet \u00e9pisode suppl\u00e9mentaire (le #8, donc) de \u00ab\u00a0SoS\u00a0\u00bb alors qu’\u00e0 l’\u00e9vidence il para\u00eetrait \u00e0 perte. L’id\u00e9e ? La nuit de No\u00ebl, Daimon Hellstrom suit d’\u00e9tranges apparitions qui le guident en Enfer, l\u00e0 o\u00f9 il essaie de sauver l’\u00e2me de sa m\u00e8re. En relisant cet \u00e9pisode, je me dis d’ailleurs r\u00e9trospectivement qu’il est \u00e9tonnant qu’\u00e0 l’\u00e9poque Marvel n’ait pas organis\u00e9 une sorte de team-up avec le Docteur Fatalis, qui souhaitait lui aussi sauver l’\u00e2me de sa maman.<\/p>\n

La particularit\u00e9 des premiers \u00e9pisodes de Son of Satan, c’\u00e9tait d’avoir trait\u00e9 le personnage comme s’il s’agissait de Thor, avec des menaces qui se pr\u00e9tendaient d\u00e9moniaques mais qui souvent (en dehors des apparitions de Satan lui-m\u00eame) d\u00e9ambulaient dans les rues comme une menace lambda qu’aurait affront\u00e9 Spider-Man. Dans ce dernier \u00e9pisode, le but \u00e9vident de Bill Mantlo (sc\u00e9nario) et de Russ Heath (dessins), l’objectif \u00e9tait plut\u00f4t de donner quelque chose de plus iconographique. Pass\u00e9 une intro o\u00f9 le trait de Heath \u00e9voque plut\u00f4t les histoires d’horreurs de EC ou de Warren Publishing, l’Enfer tel qu’il appara\u00eet d\u00e8s la troisi\u00e8me page s’inspire \u00e0 l’\u00e9vidende du tableau homonyme de J\u00e9r\u00f4me Bosch. Ce qui est int\u00e9ressant c’est que dans la page suivante, les cr\u00e9atures de Bosh sont trait\u00e9s dans le plus pur style EC, avec un traitement qui parfois \u00e9voque Wally Wood.<\/p>\n

Plus tard, quand le Son of Satan voyage vers la cit\u00e9 centrale de l’Enfer, la vision puise racine dans un autre peintre et plus pr\u00e9cis\u00e9ment dans la repr\u00e9sentation de La Tour de Babel par Bruegel. L\u00e0, Daimon a une vision carr\u00e9ment biblique et se voit, lui-m\u00eame, surmont\u00e9 d’un diad\u00e8me d’\u00e9pines et visiblement sur le point d’\u00eatre crucifi\u00e9. L\u00e0, Satan intervient mais curieusement Heath choisit de le repr\u00e9senter \u00e0 sa mani\u00e8re, c’est \u00e0 dire avec des diff\u00e9rences notables avec ses apparitions pr\u00e9c\u00e9dentes chez Marvel. L\u00e0, Satan est plus bestial, barbu et poilu… Au final, le diable prendra conscience de son incapacit\u00e9 \u00e0 convaincre son fils de le rejoindre car… Tout ceci n’est qu’un r\u00eave que Satan fait une fois par an, la nuit de No\u00ebl.<\/p>\n

La colorisation a mal vieilli et l’histoire, pour autant qu’elle soit sympathique, n’est pas inoubliable en elle-m\u00eame. Mais c’est sans doute l’une des premi\u00e8res fois chez Marvel ou DC o\u00f9 l’on s’amusait \u00e0 tirer autant partie des racines culturelles du mysticisme, des ann\u00e9es avant que Vertigo ne popularise la chose. En un sens, Son of Satan #8, c’est un peu – \u00e0 sa mani\u00e8re – l’anc\u00eatre du Lucifer de Mike Carey et de quelques autres choses. Non pas que j’y vois forc\u00e9ment une filiation directe (je serais tr\u00e8s surpris si Carey et les autres s’\u00e9taient inspir\u00e9s de ce num\u00e9ro) mais en tout cas SoS #8 tient lieu de pr\u00e9curseur…<\/p>\n

[Xavier Fournier<\/em>]\n","protected":false},"excerpt":{"rendered":"

[FRENCH] Alors que la s\u00e9rie Son of Satan touchait \u00e0 sa fin, Daimon Hellstrom, le rejeton du Diable, se 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