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</html><description>Avec l&#xE2;&#x20AC;&#x2122;&#xC3;&#xA9;norme (et m&#xC3;&#xA9;rit&#xC3;&#xA9;) succ&#xC3;&#xA8;s de &#xC2;&#xAB; Walking Dead &#xC2;&#xBB;, les &#xC3;&#xA9;diteurs fran&#xC3;&#xA7;ais auraient tort de ne pas tenter leur chance. A l&#xE2;&#x20AC;&#x2122;image de l&#xE2;&#x20AC;&#x2122;&#xC3;&#xA9;lan retrouv&#xC3;&#xA9; au cin&#xC3;&#xA9;ma (revival type &#xC2;&#xAB; Shaun of the Dead &#xC2;&#xBB;&#xE2;&#x20AC;&#xA6;), la s&#xC3;&#xA9;rie ph&#xC3;&#xA9;nom&#xC3;&#xA8;ne de Robert Kirkman a d&#xC3;&#xA9;montr&#xC3;&#xA9; qu&#xE2;&#x20AC;&#x2122;un public existe encore pour les histoires de morts-vivants. Or, le genre a d&#xC3;&#xA9;j&#xC3;&#xA0; &#xC3;&#xA9;norm&#xC3;&#xA9;ment &#xC3;&#xA9;t&#xC3;&#xA9; balis&#xC3;&#xA9;, arpent&#xC3;&#xA9; et codifi&#xC3;&#xA9;. Comment tirer son &#xC3;&#xA9;pingle du jeu et produire un comic-book capable de renouveler l&#xE2;&#x20AC;&#x2122;approche ?</description><thumbnail_url>http://www.comicbox.com/wp-content/uploads/2011/06/CrossedA.jpg</thumbnail_url></oembed>
