{"id":74445,"date":"2018-07-23T10:00:07","date_gmt":"2018-07-23T08:00:07","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=74445"},"modified":"2018-07-22T09:31:14","modified_gmt":"2018-07-22T07:31:14","slug":"avant-premiere-vo-review-jessica-jones-1","status":"publish","type":"post","link":"http:\/\/www.comicbox.com\/index.php\/articles\/avant-premiere-vo-review-jessica-jones-1\/","title":{"rendered":"Avant-Premi\u00e8re VO: Review Jessica Jones #1"},"content":{"rendered":"

Jessica Jones revient. Mais pour la premi\u00e8re fois elle n’est plus sous la houlette de Brian Michael Bendis. Alors que Jess profite pour la premi\u00e8re fois d’une \u00e9quipe cr\u00e9ative f\u00e9minine, Marvel se sert de l’h\u00e9ro\u00efne connue des t\u00e9l\u00e9spectateurs de Netflix pour lancer sa nouvelle initiative num\u00e9rique. Un retour qui joue la carte de la fid\u00e9lit\u00e9, de l’authenticit\u00e9… tout en se gardant un potentiel de surprise.<\/p>\n

\"JessicaJessica Jones #1 [Marvel Comics]<\/strong>
\nSc\u00e9nario de Kelly Thompson
\nDessins de Mattia De Iulis
\nParution aux USA au format num\u00e9rique le mercredi 18 juillet 2018<\/strong><\/p>\n

Jessica Jones aura pass\u00e9 la majeure partie de sa carri\u00e8re \u00e9crite par Brian Michael Bendis. C’est \u00e0 dire qu’il totalise l’\u00e9criture de tous les titres solos consacr\u00e9s \u00e0 la d\u00e9tective ex-super-h\u00e9ro\u00efne mais qu’il a \u00e9galement g\u00e9r\u00e9 son destin au sein des New Avengers. Mis \u00e0 part quelques rares exceptions (Al Ewing via les Mighty Avengers, par exemple), Jess garde donc l’empreinte d’un Bendis parti depuis jouer chez DC avec les survivants de la plan\u00e8te Krypton. L’ironie de la situation, c’est donc que Ms. Jones se retrouve maintenant exactement dans la m\u00eame situation qu’Elektra quand, \u00e0 son arriv\u00e9e chez Marvel, Bendis reprenait \u00e0 son compte les aventures de la ninja grecque. La diff\u00e9rence, ici, c’est que le passage de b\u00e2ton se fait avec la b\u00e9n\u00e9diction de Bendis, bien d\u00e9cid\u00e9 \u00e0 ce que sa cr\u00e9ation survive \u00e0 son transfert chez DC. Et pour ce premier num\u00e9ro, Kelly Thompson s’en tire haut la main, reprenant tous les codes du roman noir transpos\u00e9s dans un univers super-h\u00e9ro\u00efque, la recette pour Jess depuis son apparition dans Alias. La nouvelle sc\u00e9nariste respecte le cahier des charges et s’en tire m\u00eame peut-\u00eatre mieux que Bendis sur un point. En effet, le cr\u00e9ateur a toujours pein\u00e9 \u00e0 g\u00e9rer de mani\u00e8re synchrone Jessica Jones et sa famille. Le pr\u00e9c\u00e9dent volume reposait donc sur un \u00e9loignement de Jess et de Luke au sujet de leur fille, Bendis \u00e9tant oblig\u00e9 de saboter un peu la vie priv\u00e9e de la d\u00e9tective pour la rendre \u00e0 nouveau cynique. Thompson, sur ce point, n’a pas de mal \u00e0 d\u00e9crire une Jessica toujours aussi forte t\u00eate sans pour autant que la vie familiale soit sacrifi\u00e9e pour la narration. Le cliffhanger final est aussi purement dans la lign\u00e9e d’Alias (quand bien m\u00eame les premi\u00e8res pages att\u00e9nuent le suspens, si d’aventure certains lecteurs s’inqui\u00e9taient r\u00e9ellement sur le devenir du personnage).<\/p>\n

\n

\u00ab\u00a0Like I was saying, Bad finds me.\u00a0\u00bb<\/strong><\/h3>\n<\/blockquote>\n

Pour Mattia De Iulis, c’est encore une autre situation car si r\u00e9cemment Michael Gaydos, le dessinateur originel de Jess, avait repris du service, il n’a pas toujours \u00e9t\u00e9 l\u00e0. Et Jessica Jones est d\u00e9j\u00e0 pass\u00e9 entre des styles vraiment diff\u00e9rents (dans New Avengers, par exemple). Il ne s’ag\u00eet donc pas tellement de succ\u00e9der au seul Gaydos mais bien d’essayer de n\u00e9gocier un virage dans la repr\u00e9sentation de l’h\u00e9ro\u00efne, qui tient \u00e0 la fois compte de ses premi\u00e8res apparitions dans les comics mais puisse aussi parler au public qui l’a d\u00e9couvert via Netflix. David Mack avait d\u00e9j\u00e0 entam\u00e9 ce travail de synth\u00e8se sur les couvertures du volume pr\u00e9c\u00e9dent et De Iulis s’y emploie cette fois dans les pages int\u00e9rieures. C’est aussi une mani\u00e8re de chercher un juste milieu entre le visage \u00e0 la Gaydos et les repr\u00e9sentations que pouvaient en faire un Bagley, un Mayhew ou un Deodato (ou m\u00eame, forc\u00e9ment, ce qui avait \u00e9t\u00e9 fait derni\u00e8rement dans les pages des Defenders). De Iulis ne cherche pas le copi\u00e9-coll\u00e9 avec le visage de l’actrice. Cependant c’est plus notable quand il s’ag\u00eet de repr\u00e9senter Luke Cage. Et pour insister sur les liens avec le petit coin Marvel de Netflix, Matt Murdock ne manque pas de montrer le bout de son nez. Globalement c’est une bonne reprise en main, qui garde les fondamentaux et assure la continuit\u00e9 de l’ambiance. A noter que ce titre n’est pour l’instant disponible qu’au format num\u00e9rique, Marvel testant une expansion sur ce support.<\/p>\n[Xavier Fournier]\n","protected":false},"excerpt":{"rendered":"

Jessica Jones revient. Mais pour la premi\u00e8re fois elle n’est plus sous la houlette de Brian Michael Bendis. 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