{"id":72916,"date":"2018-01-30T12:00:58","date_gmt":"2018-01-30T11:00:58","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=72916"},"modified":"2018-02-07T10:19:50","modified_gmt":"2018-02-07T09:19:50","slug":"angouleme-2018","status":"publish","type":"post","link":"http:\/\/www.comicbox.com\/index.php\/articles\/angouleme-2018\/","title":{"rendered":"Angoul\u00eame 2018"},"content":{"rendered":"

En ces derniers jours de janvier, une partie de la plan\u00e8te BD a une nouvelle fois migr\u00e9 vers le Festival International de la Bande-Dessin\u00e9e d’Angoul\u00eame. Si la manifestation donnait la part belle au Japon cette ann\u00e9e en termes d’expositions, plusieurs \u00e9diteurs pr\u00e9sent2s d\u00e9fendaient les couleurs des comics, la plupart d’entre eux invitant des artistes internationaux.<\/p>\n

Sous des cieux cl\u00e9ments<\/h2>\n

Le FIBD 2018 restera dans les m\u00e9moires pour une m\u00e9t\u00e9o plut\u00f4t cl\u00e9mente. En effet, \u00e0 cette p\u00e9riode de l’ann\u00e9e la Charente ne se pr\u00e9sente pas toujours sous son meilleur jour. Auteurs, \u00e9diteurs et festivaliers de tous bords peuvent t\u00e9moigner d’ann\u00e9es o\u00f9 la neige ou des trombes d’eau d\u00e9courageaient clairement une partie du public. Pass\u00e9 un jeudi pluvieux, cette fois l’atmosph\u00e8re \u00e9tait toute autre et c’est peut-\u00eatre ce qui expliquait que la longue art\u00e8re pi\u00e9tonne qui relie les diff\u00e9rentes bulles du festival semblait cette fois-ci plus remplie. Beaucoup de curieux aux expositions et conf\u00e9rences, qui refusaient r\u00e9guli\u00e8rement du monde. La chose se percevait encore tard dans la nuit puisque les expos en ext\u00e9rieur (comme celle consacr\u00e9e \u00e0 Titeuf) avaient encore du public. On regrettera cependant certaines bizarreries d’organisation, comme le fait que la journaliste et blogueuse Heidi McDonald, sp\u00e9cialiste am\u00e9ricaine des comics, tienne une conf\u00e9rence… pr\u00e8s de la buvette de l’espace r\u00e9serv\u00e9 au march\u00e9 des droits internationaux… une zone r\u00e9serv\u00e9e aux seuls professionnels de la profession. On croisait quelques \u00e9tudiants qui auraient bien voulu y assister mais qui, faute du bon badge, ne pouvaient y entrer. Dommage !<\/p>\n

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Stars en festival<\/h2>\n

L’affiche comics pouvait compter encore une fois sur les trois t\u00e9nors du march\u00e9, Delcourt, Panini Comics et Urban Comics qui comme \u00e0 leur habitude, avaient fait venir diff\u00e9rentes pointures. Delcourt semblait jouer sur du velours avec Charlie Adlard et Sean Phillips mais il faut voir que l’\u00e9diteur est toujours entre deux tomes de Walking Dead et que la nouvelle s\u00e9rie de Phillips (Kill Or Be Killed) sortait en VF. Panini Comics \u00e9tait d\u00e9j\u00e0 pass\u00e9 aux couleurs de Black Panther et de Deadpool, actu cin\u00e9 oblige. Niveau auteurs, on croisait aussi bien Andrea Sorrentino que Dalibor Talajic, Pepe Larraz ou Mast. Les plus attentifs auront aussi reconnus St\u00e9phanie Hans… mais celle-ci arborait un badge refusant de faire des dessins. Normal : cette ann\u00e9e elle \u00e9tait pass\u00e9e de l’autre c\u00f4t\u00e9 de la barri\u00e8re et n’\u00e9tait l\u00e0 qu’en mode visiteuse. Le stand Urban, lui, s’honorait des pr\u00e9sences de Marcos Martin, Mikel Janin et enfin Sonny Liew. La m\u00eame bulle du Champ de Mars accueillait Wanga Comics mais surtout Snorgleux Comics qui, faisant cause commune avec Bliss et Monsieur Toussaint Louverture, proposait sur son stand aussi bien Matt Kindt que Wendy et Richard Pini ou Paul Azaceta. Avec des personnages peut-\u00eatre moins mainstream comme le nouvel album de Kindt (Du Sang sur les mains), l’univers Valiant ou Elfquest, ces \u00e9diteurs profitaient d’un capital surprise efficace. Les abords de leur stand ne d\u00e9semplissaient pas. D’autres \u00ab\u00a0pointures\u00a0\u00bb internationales hantaient le salon, comme Dave McKean, excusez du peu…<\/p>\n

\"\"<\/p>\n

En attendant du muscle…<\/h2>\n

Plus haut dans la ville, on trouvait le stand d’Original Watts (avec un Jean-Yves Mitton en mode stakhanoviste du dessin), celui de Graff Zeppelin (d\u00e9sormais \u00e9diteur de Red Sonja et Vampirella), les habituelles pr\u00e9sences d’Organic Comix, Scarce ou encore \u00c7a et L\u00e0 fort de la pr\u00e9sence de Derf Backderf (une projection du film adaptant Mon Ami Dahmer avait d’ailleurs lieu en ville). Si cette ann\u00e9e culturelle fran\u00e7aise est plac\u00e9e sous la banni\u00e8re Japonismes 2018, encourageant pour ce festival la tenue d’expositions \u00e0 tendance manga, les fans de BD am\u00e9ricaine peuvent d\u00e9j\u00e0 se projeter vers 2019, avec un cru qui aura comme pr\u00e9sident Richard Corben. Chez D\u00e9lirium, \u00e9diteur qui publie et republie bon nombre des \u0153uvres du ma\u00eetre, on ne cachait pas sa joie. D’ailleurs sans attendre 2019, les albums de Corben disparaissaient comme des petits pains.<\/p>\n[Xavier Fournier]\n","protected":false},"excerpt":{"rendered":"

En ces derniers jours de janvier, une partie de la plan\u00e8te BD a une nouvelle fois migr\u00e9 vers le 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