{"id":72627,"date":"2017-12-25T10:30:51","date_gmt":"2017-12-25T09:30:51","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=72627"},"modified":"2017-12-24T10:26:36","modified_gmt":"2017-12-24T09:26:36","slug":"premiere-vo-review-harley-quinn-33","status":"publish","type":"post","link":"http:\/\/www.comicbox.com\/index.php\/articles\/premiere-vo-review-harley-quinn-33\/","title":{"rendered":"Avant-Premi\u00e8re VO: Review Harley Quinn #33"},"content":{"rendered":"

C’est No\u00ebl… mais Harley Quinn ne fait jamais rien comme tout le monde et la f\u00eate tourne plut\u00f4t \u00e0 la tristesse, avec les obs\u00e8ques d’un personnage secondaire de la s\u00e9rie. Comment faire face au deuil ? En retombant vite sur les fondamentaux du personnage et sur une partie endiabl\u00e9e de roller…<\/p>\n

\"HarleyHarley Quinn #33 [DC Comics]<\/strong>
\nSc\u00e9nario d’Amanda Conner & Jimmy Palmiotti
\nDessins de Brett Blevins, Moritat & Otto Schmidt
\nParution aux USA le mercredi 20 d\u00e9cembre 2017<\/strong><\/p>\n

On peut penser qu’avec cet \u00e9pisode d’Harley Quinn on a droit \u00e0 deux comics pour le prix d’un, tant il est divis\u00e9 en deux parties trait\u00e9es par trois dessinateurs diff\u00e9rents. D’un c\u00f4t\u00e9 le v\u00e9t\u00e9ran Brett Blevins s’occupe plus pr\u00e9cis\u00e9ment de l’enterrement et de la nuit qui fait suite, alors qu’Harley est d’abord la tristesse incarn\u00e9e puis doit penser \u00e0 sauver quelques animaux d’un ouragan… Il y a dans cette sc\u00e8ne quelque chose d’un rituel pa\u00efen, une sorte de c\u00e9r\u00e9monie de la vie apr\u00e8s avoir \u00e9t\u00e9 face \u00e0 la mort. Pass\u00e9 ce cap, Harley peut alors revenir \u00e0 des activit\u00e9s auxquelles on l’associe plus facilement, c’est \u00e0 dire le roller (partie dessin\u00e9e par Otto Schmidt). Mais ce registre ludique va rapidement r\u00e9v\u00e9ler \u00e0 son tour un peu de duperie…<\/p>\n

\n

\u00ab\u00a0Harley is caught in her ass-traction beam.\u00a0\u00bb<\/strong><\/h3>\n<\/blockquote>\n

Amanda Conner et Jimmy Palmiotti prennent ce personnage qu’ils connaissent si bien \u00e0 travers toutes les phases du deuil, nous montrant finalement la complexit\u00e9 de cette femme-clown, qui cumule rire d\u00e9ment, tristesse et envie de se rebiffer. On aurait sans doute pr\u00e9f\u00e9r\u00e9 avoir un(e) seul(e) artiste pour l’ensemble, en particulier pour les toutes derni\u00e8res pages qui semblent produites en urgence, par Moritat. Mais globalement on ressent beaucoup d’empathie pour cette anti-h\u00e9ro\u00efne et il y a un sens pour ses actions, quand bien m\u00eame elles peuvent parfois para\u00eetre contradictoires. Avec Harley il y a parfois des larmes de joie et des rires de tristesse. Cet \u00e9pisode montre bien, au niveau du sc\u00e9nario, comment elle passe d’un \u00e9tat \u00e0 l’autre tout en restant naturelle et fid\u00e8le \u00e0 sa nature.<\/p>\n

[Xavier Fournier]\n","protected":false},"excerpt":{"rendered":"

C’est No\u00ebl… mais Harley Quinn ne fait jamais rien comme tout le monde et la f\u00eate tourne plut\u00f4t \u00e0 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