{"id":71332,"date":"2017-08-26T09:00:06","date_gmt":"2017-08-26T07:00:06","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=71332"},"modified":"2017-08-25T21:42:36","modified_gmt":"2017-08-25T19:42:36","slug":"imaginarium-tomber-chemise","status":"publish","type":"post","link":"http:\/\/www.comicbox.com\/index.php\/news\/imaginarium-tomber-chemise\/","title":{"rendered":"Imaginarium: Tomber la chemise\u00a0!"},"content":{"rendered":"

\"\"En 1940 d\u00e9j\u00e0, Joe Shuster montrait en plan poitrine Clark Kent qui, lunettes en main, se changeait en Superman. Dans \u00ab\u00a0Electric Earthquake\u00a0\u00bb, court-m\u00e9trage d\u2019animation de Dave Fleischer sorti en 1942, le c\u00e9l\u00e8bre kryptonien, avant d\u2019agir, se retire dans un coin sombre \u00e0 l\u2019abri des regards (sauf ceux des spectateurs) pour \u00e9carter ostensiblement les deux pans de sa chemise et d\u00e9voiler son embl\u00e8me de super-h\u00e9ros. En 2015, le m\u00eame geste cadr\u00e9 serr\u00e9, donnant \u00e0 voir le m\u00eame \u00ab S \u00bb, constitue l\u2019avant-dernier plan du g\u00e9n\u00e9rique de la s\u00e9rie Supergirl cr\u00e9\u00e9e par Greg Berlanti et Allison Beth Adler. Durant plus de sept d\u00e9cennies l\u2019image \u2013 BD, anim\u00e9e ou cin\u00e9matographique – est devenue \u00e0 ce point iconique que nous sommes en droit de l\u2019interroger.<\/p>\n

C\u2019est vrai, la fameuse cabine t\u00e9l\u00e9phonique dont Superman fera un lieu privil\u00e9gi\u00e9 pour se changer deviendra elle aussi iconique, au point que les commentateurs et les fans rep\u00e8reront, archiveront et classeront les diff\u00e9rentes occurrences de l\u2019image. Mais cette derni\u00e8re ne se diffusera pas autant que la stricte ouverture du v\u00eatement civil d\u00e9couvrant l\u2019embl\u00e8me du costume super-h\u00e9ro\u00efque. Ce geste, au fil du temps et des r\u00e9cits, \u00e9voluera en passage oblig\u00e9 pour les sc\u00e9naristes, dessinateurs et metteurs en sc\u00e8ne (John Byrne, avec l\u2019une des couvertures de sa mini-s\u00e9rie \u00ab The Man of Steel \u00bb, sera l\u2019un des artisans majeurs du processus). Au fil des d\u00e9clinaisons le cadre se fera de plus en plus serr\u00e9, l\u2019arr\u00eat sur image plus appuy\u00e9, et, surtout, loin d\u2019\u00eatre l\u2019apanage de la famille kryptonienne de DC Comics, il sera adopt\u00e9 par d\u2019autres super-h\u00e9ros – y-compris chez le concurrent Marvel -, comme Spider-Man ou encore Daredevil. Oui, il faut bien qu\u2019ils se changent nos super-h\u00e9ros \u00e0 l\u2019identit\u00e9 secr\u00e8te, mais faut-il qu\u2019il \u00ab dise \u00bb quelque chose de fort cet instant-l\u00e0, pour qu\u2019il soit l\u2019objet du tr\u00e8s gros plan et qu\u2019il soit mis ainsi en exergue dans le montage et\/ou la mise en page. Alors que dit-il, au juste, ce moment de transition si rapide qu\u2019il pourrait aussi bien \u00eatre ignor\u00e9 ?<\/p>\n

Tout doit dispara\u00eetre<\/strong><\/h3>\n

\"Imaginarium:On ouvre la chemise, on d\u00e9fait la cravate, accessoirement on \u00f4te les lunettes. Et que fait-on l\u00e0 ? On s\u2019affranchit des r\u00f4les tenus dans la soci\u00e9t\u00e9 (sph\u00e8re publique) ou de ceux tenus dans le cadre plus restreint des relations amicales (sph\u00e8re priv\u00e9e). Le geste est brusque. Il est imp\u00e9ratif. C\u2019est simultan\u00e9ment que la chemise se d\u00e9boutonne et que la cravate se desserre. Il est temps d\u2019agir. Et il est grand temps de se d\u00e9barrasser des oripeaux oblig\u00e9s de la vie sociale. Il faut pour cela, en une fraction de seconde, les d\u00e9chirer comme les peaux mortes d\u2019une mue instantan\u00e9e. Tous les diff\u00e9rents personnages que recouvrent ces v\u00eatements volent en \u00e9clats. Le Moi s\u2019\u00e9pure de toutes ses carapaces. Il se r\u00e9duit. Et pour faire jaillir quoi ?<\/p>\n

Ces \u00eatres \u00e9tranges<\/strong><\/h3>\n

\"\"On oppose g\u00e9n\u00e9ralement la sph\u00e8re publique \u00e0 la sph\u00e8re priv\u00e9e. Ce qui n\u2019appartient pas \u00e0 l\u2019une appartient \u00e0 l\u2019autre et inversement. Ce regard binaire est pourtant incomplet. Il existe un troisi\u00e8me champ : la sph\u00e8re intime. C\u2019est celle du secret. On le garde pour soi ou on le partage avec des \u00ab intimes \u00bb, pr\u00e9cis\u00e9ment. Si \u00eatre Journaliste (pour Clark Kent), \u00e9tudiant (pour Peter Parker), avocat (pour Matt Murdock) rel\u00e8ve de la sph\u00e8re publique, et qu\u2019\u00eatre pr\u00e9tendant de Lo\u00efs (pour Clark), neveux de May Parker (pour Peter), fils du boxeur Jonathan Murdock (pour Matt) rel\u00e8ve de leur sph\u00e8re priv\u00e9e, \u00eatre Superman, Spider-Man et Daredevil est leur sph\u00e8re intime. Le super-h\u00e9ros est justement cet \u00eatre \u00e9trange qui, quittant la sph\u00e8re publique et la sph\u00e8re priv\u00e9e pour investir sa sph\u00e8re intime, expose cette derni\u00e8re dans la sph\u00e8re publique \u00e0 nouveau. Mais une sph\u00e8re intime sous protection (un peu comme l\u2019artiste, finalement, qui exposant son intimit\u00e9 de mani\u00e8re cod\u00e9e le plus souvent, avance lui aussi masqu\u00e9). Tout le monde verra Superman, Spider-Man ou Daredevil, sans savoir que derri\u00e8re eux se cachent Clark Kent, Peter Parker et Matt Murdock. Sauf que nous parlons l\u00e0 au futur. Car dans le geste du d\u00e9voilement dont il est question ici, la transformation n\u2019est pas encore achev\u00e9e.<\/p>\n

\"Imaginarium: <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div>
\"Action <\/a> <\/div> <\/div>
\"Action <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div>
\"Imaginarium: <\/a> <\/div> <\/div> <\/div> <\/div>\n

\u00c7a reste entre nous<\/strong><\/h3>\n
\"\"

Dans la s\u00e9rie TV des ann\u00e9es 50, c’est presque \u00e7a… Mais pas tout \u00e0 fait. Le h\u00e9ros pr\u00e9f\u00e8re se planquer pour se \u00ab\u00a0d\u00e9shabiller\u00a0\u00bb.<\/em><\/p><\/div>\n

Mais qu\u2019est-il donc ce Moi, lorsque n\u2019\u00e9tant plus cette lourde accumulation de d\u00e9guisements sociaux-professionnels, il n\u2019est pas encore cette force surhumaine transcendante ? Et qu\u2019a-t-il donc de si important cet infime laps de temps transitoire, qu\u2019il faille ainsi le souligner, s\u2019y arr\u00eater, le fixer comme un instant d\u2019\u00e9ternit\u00e9 ? C\u2019est une illustration de J. H. Williams III qui, semble-t-il, colle au plus pr\u00e8s du sens profond de ce motif iconique. Peignant Clark Kent ouvrant les deux pans de sa chemise, sa cravate d\u00e9j\u00e0 d\u00e9faite et soumise au geste et au vent, le dessinateur choisit de montrer le personnage en noir et blanc et \u00e0 contre-jour (le visage n\u2019est qu\u2019une ombre sans d\u00e9tail), r\u00e9servant les seules couleurs au c\u00e9l\u00e8bre \u00ab S \u00bb de Krypton sur le fond bleu du collant. Clark Kent n\u2019est presque plus l\u00e0 et Superman pas encore.<\/p>\n

\"Imaginarium:On peut le dire autrement : Clark Kent est encore un peu l\u00e0, et Superman est presque d\u00e9j\u00e0 l\u00e0. Cet instant on ne peut plus furtif de la transition est alors celui de l\u2019exposition fugace de la sph\u00e8re intime \u00ab sans protection \u00bb. Et personne n\u2019y assiste. Personne, vraiment ? Il s\u2019adresse pourtant \u00e0 quelqu\u2019un. Car c\u2019est l\u2019instant, au fond, o\u00f9 le h\u00e9ros brise le \u00ab quatri\u00e8me mur \u00bb – ce mur imaginaire qui, au th\u00e9\u00e2tre, s\u00e9pare l\u2019espace sc\u00e9nique de celui du public. Et c\u2019est peut-\u00eatre ce qui en fait sa fascinante singularit\u00e9. Ce n\u2019est pas pour rien, en effet, que le super-h\u00e9ros cr\u00e9e cette br\u00e8che – sit\u00f4t ouverte sit\u00f4t ferm\u00e9e. C\u2019est – \u00e9v\u00e9nement rare et pr\u00e9cieux du contact improbable entre virtualit\u00e9 et r\u00e9alit\u00e9 – pour partager bri\u00e8vement mais s\u00fbrement, avec le lecteur\/spectateur (et seulement avec lui !), son \u00ab super-secret \u00bb.<\/p>\n[Bernard Dato]\n","protected":false},"excerpt":{"rendered":"

En 1940 d\u00e9j\u00e0, Joe Shuster montrait en plan poitrine Clark Kent qui, lunettes en main, se changeait en Superman. Dans…<\/p>\n","protected":false},"author":8,"featured_media":71338,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,1727,5577,1],"tags":[21,19,5578,5151,45],"class_list":["post-71332","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articles","category-diapo","category-imaginarium","category-news","tag-comics","tag-daredevil","tag-imaginarium","tag-supergirl","tag-superman"],"yoast_head":"\nImaginarium: Tomber la chemise\u00a0! -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.comicbox.com\/index.php\/news\/imaginarium-tomber-chemise\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Imaginarium: Tomber la chemise\u00a0! -\" \/>\n<meta property=\"og:description\" content=\"En 1940 d\u00e9j\u00e0, Joe Shuster montrait en plan poitrine Clark Kent qui, lunettes en main, se changeait en Superman. 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