{"id":71019,"date":"2017-07-16T10:00:53","date_gmt":"2017-07-16T08:00:53","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=71019"},"modified":"2017-07-15T23:32:55","modified_gmt":"2017-07-15T21:32:55","slug":"premiere-vo-review-flash-26","status":"publish","type":"post","link":"http:\/\/www.comicbox.com\/index.php\/articles\/premiere-vo-review-flash-26\/","title":{"rendered":"Avant-Premi\u00e8re VO: Review Flash #26"},"content":{"rendered":"

L’avenir de Flash et d’Iris est en danger. Sans solution apparente, Barry Allen est oblig\u00e9 de c\u00e9der \u00e0 un chantage, une torture mentale de plus de la part du Reverse-Flash originel. Et l’on sait, justement, qu’il n’est pas bon que les destins du Professeur Zoom et d’Iris West se croisent. Est-ce que Barry va vraiment tout sacrifier pour sauver la vie de son grand amour ?<\/p>\n

\"FlashFlash #26 [DC Comics]<\/strong>
\nSc\u00e9nario de Joshua Williamson
\nDessins de Howard Porter
\nParution aux USA le mercredi 12 juillet 2017<\/strong><\/p>\n

Il y a quelques ann\u00e9es, nous avions publi\u00e9 un article dans Comic Box pour expliquer comment, malgr\u00e9 le fait qu’il avait \u00e9t\u00e9 au centre de Flashpoint, Flash \u00e9tait un peu le parent pauvre des New 52 (c’est \u00e0 dire de la phase allant de 2011 \u00e0 2017). Forc\u00e9ment, le one-shot DC Universe Rebirth<\/strong><\/a>, avec le retour de Wally, a remis l’accent sur les speedsters… Encore que dans un premier temps Barry, \u00e0 nouveau, a sembl\u00e9 s’occuper des affaires courantes tandis que le Flash qui symbolisait la \u00ab\u00a0renaissance\u00a0\u00bb (le Wally West de l’univers classique) papillonnait dans d’autres s\u00e9ries, en particulier Titans. Au d\u00e9but, Barry semblait attir\u00e9 par des choses bien diff\u00e9rentes, comme lutter pendant un arc entier contre le d\u00e9cevant Godspeed. Mais ces derniers mois l’approche du sc\u00e9nariste Joshua Williamson est devenue plus manifeste. Flash\/Barry, \u00e0 d\u00e9faut d’\u00eatre un acteur important des choses (et encore c’est discutable) est un point d’observation. Il est le garant d’une certaine stabilit\u00e9, tandis que la \u00ab\u00a0Flash Family\u00a0\u00bb reprend figure. On a donc pu voir la prise en compte de l’existence de Wally, l’apparition du nouveau Kid Flash<\/a><\/strong>, le retour du Reverse-Flash \u00ab\u00a0classique\u00a0\u00bb (avec tous ses souvenirs de Flashpoint) et enfin la mise en place de la r\u00e9surrection de Jay Garrick, quand bien m\u00eame retard\u00e9e. Alors que Zoom revient une nouvelle fois pour malmener Barry et ses proches, cet \u00e9pisode est explicite de la volont\u00e9 de Williamson d\u00e8s la premi\u00e8re case, avec l’\u00e9vocation d’autres speedsters\/fan favorites disparus depuis le reboot de 2011. Il s’agit bien d’une remise en place d\u00e9taill\u00e9e de la Flash Family et quelques pages suffisent avant de percevoir la port\u00e9e g\u00e9n\u00e9alogique de la chose. M\u00eame si les deux personnages qui s’attaquent au Flash de demain sont \u00e0 peine connus en France, ils sont comme un maillon de la mythologie du h\u00e9ros, impliquant eux aussi l’existence d’encore un ou deux h\u00e9ros \u00e0 venir.<\/p>\n

\n

\u00ab\u00a0You don’t have to run. I promise.\u00a0\u00bb<\/h3>\n<\/blockquote>\n

Barry et Iris, le Professeur Zoom et la prise en compte, tacite, de pratiquement tout ce qui existait avant le reboot. On retrouve clairement l’\u00e2me du Barry Allen classique (ou bien on sent bien, en tout cas, qu’on en n’est plus tr\u00e8s loin). Pour atteindre son objectif, Williamson est aid\u00e9 par le dessinateur Howard Porter, qui a d\u00e9j\u00e0 une l\u00e9gitimit\u00e9 sur la s\u00e9rie. C’est en effet lui qui dessinait les aventures du super-rapide vers 2004, quand c’\u00e9tait Wally le h\u00e9ros central et qu’il \u00e9tait tortur\u00e9 par un autre Zoom, mais le tout napp\u00e9 de paradoxes temporels et d’interventions de Barry et du premier Reverse-Flash. D\u00e9j\u00e0, \u00e0 l’\u00e9poque, il s’agissait de menacer d’effacer une partie de la famille du h\u00e9ros. Williamson et Porter arrivent donc a recapturer une bonne partie de ce qui fonctionnait dans le run de Johns. Parmi les \u00e9l\u00e9ments en question, il y a le machiav\u00e9lisme du Professeur Zoom (bien mieux, en fait, que ce que l’on a pu voir r\u00e9cemment dans The Button). La chose est ainsi faite que l’arc repose sur des personnages qui voyagent dans le temps, qui peuvent se permettre de r\u00e9\u00e9crire des r\u00e9alit\u00e9s enti\u00e8res… Et on peut se demander si l’histoire remettra v\u00e9ritablement tous les jouets en place… Ou bien s’il n’y a pas, au bout de la route, encore un peu de place pour un \u00ab\u00a0correctif\u00a0\u00bb semblable \u00e0 celui que Superman vient de vivre dans ses propres s\u00e9ries. Le d\u00e9but du Flash version Rebirth a \u00e9t\u00e9 un peu laborieux, the Button n’a pas forc\u00e9ment tenu ses promesses mais clairement on est sur la bonne voie.<\/p>\n[Xavier Fournier]\n","protected":false},"excerpt":{"rendered":"

L’avenir de Flash et d’Iris est en danger. 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