{"id":25684,"date":"2010-10-31T14:23:15","date_gmt":"2010-10-31T13:23:15","guid":{"rendered":"http:\/\/www.comicbox.com\/?p=25684"},"modified":"2011-03-06T17:53:00","modified_gmt":"2011-03-06T16:53:00","slug":"trade-paper-box-19-the-mystery-play","status":"publish","type":"post","link":"http:\/\/www.comicbox.com\/index.php\/news\/trade-paper-box-19-the-mystery-play\/","title":{"rendered":"Trade Paper Box #19 \u2013 The Mystery Play"},"content":{"rendered":"

\"\"[FRENCH] En 1994, bien avant de perdre Batman dans les m\u00e9andres du temps, le sc\u00e9nariste Grant Morrison (\u00ab\u00a0Invisibles\u00a0\u00bb, \u00ab\u00a0JLA\u00a0\u00bb, \u00ab\u00a0Arkham Asylum\u00a0\u00bb, \u00ab\u00a0New X-Men\u00a0\u00bb) avait eu l\u2019audace d\u2019interroger le divin dans un m\u00e9morable comic-book publi\u00e9 sous la banni\u00e8re mature de Vertigo. Depuis cet \u00e9t\u00e9, le produit de cette vaste contemplation est enfin disponible en langue fran\u00e7aise, l\u2019occasion pour nous de revenir sur une \u0153uvre complexe et m\u00e9connue.<\/p>\n

Dieu, disparu dans la coulisse\u2026<\/h2>\n

\"\"Townely, petite ville aussi brumeuse qu\u2019imaginaire situ\u00e9e dans la banlieue de Manchester. Alors que toute la population assiste aux traditionnelles repr\u00e9sentations th\u00e9\u00e2trales des \u00ab\u00a0Myst\u00e8res\u00a0\u00bb m\u00e9di\u00e9vaux (\u00ab\u00a0Mystery plays\u00a0\u00bb en anglais), le Dr. Bell, qui y incarne Dieu, est assassin\u00e9 froidement entre deux passages sur sc\u00e8ne. D\u00e9p\u00each\u00e9 sur les lieux du crime, l\u2019Inspecteur Carpenter va calmement tenter de comprendre le mobile et la r\u00e9elle port\u00e9e de ce fait divers. Mais dans cette bourgade aust\u00e8re et m\u00e9fiante, les apparences, les m\u00e9disances et autres vengeances auront t\u00f4t fait de brouiller les pistes\u2026<\/p>\n

Une aquarelle de Laura Palmer\u00a0?<\/h2>\n

\"\"Avant m\u00eame d\u2019aborder le fond de ce r\u00e9cit, ce constat simple\u00a0: graphiquement parlant, le travail de Jon J. Muth (\u00ab\u00a0The Sandman\u00a0: The Wake\u00a0\u00bb et \u00ab\u00a0Swamp Thing\u00a0: Roots\u00a0\u00bb en 1995 et 1998) rel\u00e8ve du sublime. A la fois d\u00e9licates et inqui\u00e9tantes, gorg\u00e9es d\u2019indicible, ses aquarelles parviennent imm\u00e9diatement \u00e0 saisir le lecteur pour ne jamais plus le l\u00e2cher. On oscille ainsi entre d\u2019une part la grisaille et les textures rurales de la campagne anglaise, et d\u2019autre part des passages compl\u00e8tement hallucin\u00e9s, \u00e0 l\u2019image de l\u2019interrogatoire du principal suspect, lorsque toute la sc\u00e8ne vire sur des tons rouges-orang\u00e9s des plus angoissants \u2013 un moment marquant qui n\u2019est d\u2019ailleurs pas sans rappeler la c\u00e9l\u00e8bre s\u00e9rie \u00ab\u00a0Hellblazer\u00a0\u00bb, parue chez le m\u00eame \u00e9diteur.<\/p>\n

La narration compl\u00e8tement impr\u00e9visible de Grant Morrison joue, quant \u00e0 elle, sa partition \u00e0 la perfection. Le huis clos qui se cr\u00e9e au sein de cette ville anodine et l\u2019intrusion d\u2019un enqu\u00eateur \u00ab\u00a0\u00e9tranger\u00a0\u00bb dans ce doux et silencieux maelstrom \u2013 tout comme un go\u00fbt pour les personnalit\u00e9s f\u00eal\u00e9es \u2013 fait clairement \u00e9cho \u00e0 l\u2019univers mis en sc\u00e8ne par David Lynch dans \u00ab\u00a0Twin Peaks\u00a0\u00bb (1990). Depuis vingt ans, chacun sait combien les deux saisons de cette s\u00e9rie ont pu nourrir l\u2019imaginaire et l\u2019imagerie de la pop-culture, et cet hommage indirect en est une des plus belles illustrations.<\/p>\n

Carpenter et nous<\/h2>\n

D\u2019une mise en sc\u00e8ne purement fictive \u00e0 une autre n\u00e9e du r\u00e9el, depuis la pi\u00e8ce de th\u00e9\u00e2tre introductive jusqu\u2019\u00e0 la crucifixion d\u2019un homme en fin de r\u00e9cit, la r\u00e9alit\u00e9 des \u00ab\u00a0gens\u00a0\u00bb telle qu\u2019elle est d\u00e9peinte dans cette bien sombre BD d\u00e9passe de tr\u00e8s loin le cadre classique du thriller. Grant Morrison et Jon J. Muth, tandem de tr\u00e8s haut niveau, signaient ainsi en 1994, une \u0153uvre d\u00e9rangeante dans la mesure o\u00f9 elle n\u2019apporte que peu de r\u00e9ponses et laisse au contraire toute sa place au lecteur dans le d\u00e9nouement que celui-ci souhaite y donner. Certains passages restant tout de m\u00eame relativement explicites, il appara\u00eet \u00e9vident que ce comic-book est exclusivement destin\u00e9 aux \u00ab\u00a0avertis\u00a0\u00bb.<\/p>\n

\"\"S\u2019agit-il en effet d\u2019\u00e9voquer la d\u00e9faillance humaine qui nous englobe tous\u00a0? S\u2019agit-il encore d\u2019une r\u00e9flexion sur la place de la foi, du mysticisme et de la recherche d\u2019absolu dans la vie moderne\u00a0? Rien n\u2019est moins s\u00fbr, car Morrison semble ici se d\u00e9lecter de sa capacit\u00e9 \u00e0 faire frissonner son lecteur entre diff\u00e9rentes interpr\u00e9tations.<\/p>\n

En d\u00e9finitive, parce qu\u2019il est domin\u00e9 par ses propres n\u00e9vroses, chaque protagoniste de cette enqu\u00eate peut porter sur lui le manteau de la culpabilit\u00e9. Alors chers lecteurs, faites-vous votre propre id\u00e9e quant au sens \u00e0 donner \u00e0 cette \u00e9nigme, car votre analyse sera finalement la seule valable. Pour ses nombreuses all\u00e9gories, de par la r\u00e9flexion qu\u2019elle fait na\u00eetre chez son public, et en raison de son immense qualit\u00e9 artistique, \u00ab\u00a0The Mystery Play\u00a0\u00bb peut d\u00e9cemment \u00eatre consid\u00e9r\u00e9e comme l\u2019une des meilleures productions du label Vertigo.<\/p>\n[Nicolas Lambret<\/em>]\n

\u00ab\u00a0The Mystery Play\u00a0\u00bb, par Grant Morrison (scenario), et Jon J. Muth (dessin), Editions Panini Comics, Coll. Vertigo, juillet 2010, 78\u00a0p.<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

[FRENCH] En 1994, bien avant de perdre Batman dans les m\u00e9andres du temps, le sc\u00e9nariste Grant Morrison (\u00ab\u00a0Invisibles\u00a0\u00bb, \u00ab\u00a0JLA\u00a0\u00bb, \u00ab\u00a0Arkham…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3,1727,1,2914],"tags":[5175,3133,1759,5206],"class_list":["post-25684","post","type-post","status-publish","format-standard","hentry","category-articles","category-diapo","category-news","category-trade-paper-box","tag-grant-morrison","tag-jon-j-muth","tag-panini","tag-trade-paper-box"],"yoast_head":"\nTrade Paper Box #19 \u00e2\u20ac\u201c The Mystery Play<\/title>\n<meta name=\"description\" content=\"En 1994, bien avant de perdre Batman dans les m\u00c3\u00a9andres du temps, le sc\u00c3\u00a9nariste Grant Morrison (\u00c2\u00ab\u00c2\u00a0Invisibles\u00c2\u00a0\u00c2\u00bb, \u00c2\u00ab\u00c2\u00a0JLA\u00c2\u00a0\u00c2\u00bb, \u00c2\u00ab\u00c2\u00a0Arkham Asylum\u00c2\u00a0\u00c2\u00bb, \u00c2\u00ab\u00c2\u00a0New X-Men\u00c2\u00a0\u00c2\u00bb) avait eu l\u00e2\u20ac\u2122audace d\u00e2\u20ac\u2122interroger le divin dans un m\u00c3\u00a9morable comic-book publi\u00c3\u00a9 sous la banni\u00c3\u00a8re mature de Vertigo. 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